Marry Me (2022) [PG-13]

Release Date:
February 9, 2022

Original Title:
Marry Me

Alternate Titles:
Marry Me - Verheiratet auf den ersten Blick
Precēsimies
和我结婚
巨星嫁到
非常巨星揀老公

Genres:
Comedy | Music | Romance

Production Companies:
Kung Fu Monkey Productions
Nuyorican Productions
Perfect World Pictures

Production Countries:
China | United States of America

Ratings / Certifications:
AU: PG  BR: 12  ES: 12  FI: S  FR: U  GB: 12A  GR: K  HK: IIA  HU: 12  IE: 12  IT: T  KR: 12  NZ: PG  RO: 15  RU: 12+  SE: Btl  SG: NC16  SK: 12  US: PG-13 

Runtime: 112

Say yes.

Pop superstar Kat Valdez is about to get married before an audience of her loyal fans. However, seconds before the ceremony, she learns about her fiance's cheating ways and has a meltdown on stage. In a moment of inspired insanity, Kat locks eyes with a total stranger in the crowd and marries him on the spot. As forces conspire to separate the unlikely newlyweds, they must soon decide if two people from such different worlds can find true love together.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

"A" Camera Operator:
John S. Moyer

"B" Camera Operator:
Heather Norton

ADR Editor:
Angela Organ

ADR Mixer:
George Atkins
Scott Cannizzaro
Jeffrey Roy

ADR Recordist:
Phil Castellano Jr.

Art Department Coordinator:
Arizona Newsum

Art Direction:
Charley Beal

Assistant Accountant:
Meryl Federman

Assistant Art Director:
Derek Haas
Jeannette Kim

Assistant Costume Designer:
Jessica Trejos

Assistant Location Manager:
Dean Michael Mann
Kate Beall

Assistant Production Coordinator:
Ulyssa Salett

Assistant Set Decoration:
Tricia Peck

Assistant Sound Editor:
Allen Lau

Associate Producer:
Kevin Beisler
Brandon Creed
Josh Levine
Courtney Baxter

Best Boy Electric:
Ralph G. Crowley

Best Boy Grip:
Nick Haines-Stiles

Boom Operator:
Carmine Picarello

Camera Loader:
Tyler Mancuso

Camera Operator:
Nedim Vrabac

Casting:
Julie Tucker
Leslie Woo

Casting Associate:
Kim Krakauer

Choreographer:
Kiel Tutin

Co-Producer:
Jenn Court
Christopher Surgent

Colorist:
Joe Gawler

Costume Assistant:
Jamie Chesal
Ary Matteazzi

Costume Coordinator:
Alexandria Hoffman

Costume Design:
Caroline Duncan

Costume Supervisor:
Amy R. Burt

Costumer:
Lindsey Kethan
Yafi Hoch
Arabella Fischer

Dialogue Editor:
Bill Sweeney

Digital Imaging Technician:
Abby Levine

Director:
Kat Coiro

Director of Photography:
Florian Ballhaus

Dolly Grip:
Andrew P. Sweeney
John Krause

Editor:
Peter Teschner
Michael Berenbaum

Executive In Charge Of Production:
Adam McCarthy

Executive Producer:
Pamela Thur
J.B. Roberts
Alex Brown
Willie Mercer

Extras Casting:
Grant Wilfley

Extras Dresser:
Beth Ann Hoppe

First Assistant "A" Camera:
Bobby Mancuso

First Assistant "B" Camera:
Johnny Sousa

First Assistant Accountant:
Robert Spence

First Assistant Director:
Christopher Surgent

First Assistant Editor:
Carrie Puchkoff

Foley Supervisor:
Filipe Messeder

Gaffer:
Andy Day

Graphic Designer:
Jenny Kraft

Graphic Novel:
Bobby Crosby

Grip:
Kelly Marroquin
Holly Hosman
John Blazzi

Hair Department Head:
Sean Flanigan

Hairstylist:
Danielle Priano
Tene Wilder

Key Grip:
Charlie Marroquin

Key Hair Stylist:
Aaron Mark Kinchen

Key Makeup Artist:
Sunday Englis

Key Rigging Grip:
Craig Vaccaro

Lead Set Dresser:
Elisa Brotherhood

Leadman:
Steven Gamiello

Location Assistant:
Kay Carambia
Shane Turco

Location Manager:
Paul Kramer

Makeup Artist:
Kate Best
Stayc St. Onge

Makeup Department Head:
Nicki Ledermann

Music Editor:
Charles Martin Inouye

Music Supervisor:
Robin Urdang

Original Music Composer:
John Debney

Payroll Accountant:
Melody Cheng

Producer:
John Rogers
Jennifer Lopez
Elaine Goldsmith-Thomas
Benny Medina

Production Accountant:
Nick Bommer

Production Design:
Jane Musky

Production Office Coordinator:
Lindsey Lefkow

Production Secretary:
Erika Lucero

Production Sound Mixer:
Mathew Price

Production Supervisor:
Kelsi Russell

Property Master:
Ruby Moshlak

Props:
Shane Torres

Rigging Gaffer:
Matthew D. Hale

Screenplay:
John Rogers
Tami Sagher
Harper Dill

Script Supervisor:
Mary Kelly

Second Assistant "A" Camera:
Justin Mancuso

Second Assistant "B" Camera:
Michael Derario

Second Assistant Director:
Takahide Kawakami

Second Second Assistant Director:
Cary Lee

Set Decoration:
Keri Lederman

Set Decoration Buyer:
Mary Kate Golding

Set Dresser:
Heidi Day Wenzel

Sound Effects Editor:
Grant Elder
Filipe Messeder

Sound Re-Recording Mixer:
Robert Fernandez
Damian Volpe

Special Effects Coordinator:
Gilbert Gertsen

Steadicam Operator:
John S. Moyer

Still Photographer:
Barry Wetcher

Stunt Coordinator:
Ian Mclaughlin

Stunts:
Blaise Corrigan
Khalil Maasi
Jay Hieron

Supervising Sound Editor:
Robert Fernandez
Damian Volpe

Tailor:
Erika Kuehn
Alexander Pope

Title Designer:
Teddy Blanks

Truck Costumer:
Constance Garcia

Unit Production Manager:
Pamela Thur
Guy Efrat

Unit Publicist:
Rachael Roth

Utility Sound:
Daniel Brooks

Visual Effects Supervisor:
David Lebensfeld
Grant Miller

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.