A work in constant progress (and occasional regress).
Release Date:
September 2, 1972
Original Title:
La mala ordina
Alternate Titles:
Black Kingpin
Hired to Kill
L'empire du crime
Manhunt
The Italian Connection
Une Femme Envoûtée
Охота на человека
Genres:
Action | Crime
Production Companies:
Cineproduzioni Daunia 70
Hermes Synchron
Production Countries:
Germany | Italy
Ratings / Certifications:
DE: 16 FR: 10|18 US: R
Runtime: 100
When a shipment of heroin disappears between Italy and New York, a small-time pimp in Milan is framed for the theft. Two professional hitmen are dispatched from New York to find him, but the real thieves want to get rid of him before the New York killers get to him to eliminate any chance of them finding out he's the wrong man.
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Assistant Camera:
Enrico Biribicchi
Assistant Director:
Franco Lo Cascio
Assistant Editor:
Ornella Chistolini
Camera Operator:
Claudio Morabito
Continuity:
Vivalda Vigorelli
Costume Design:
Francesco Cuppini
Dialogue:
Fernando Di Leo
Director:
Fernando Di Leo
Director of Photography:
Franco Villa
Editor:
Amedeo Giomini
General Manager:
Armando Novelli
Makeup Artist:
Antonio Mura
Original Music Composer:
Armando Trovajoli
Production Design:
Francesco Cuppini
Production Manager:
Lanfranco Ceccarelli
Production Supervisor:
Luciano Appignani
Vincenzo Salviani
Screenplay:
Fernando Di Leo
Augusto Finocchi
Ingo Hermes
Sound:
Goffredo Salvatori
Special Effects:
Basilio Patrizi
Story:
Fernando Di Leo
Stunt Coordinator:
Sergio Mioni
Stunt Driver:
Sergio Mioni
Stunts:
Gilberto Galimberti
Mario Adorf
Omero Capanna
Pietro Ceccarelli
Enrico Chiappafreddo
Domenico Cianfriglia
Giovanni Cianfriglia
Virgilio Ponti
Clemente Ukmar
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Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.