The Ascent (2019) [R]

Release Date:
October 17, 2019

Original Title:
The Ascent

Alternate Titles:
Black Ops
Stairs
The Ascent
스테어즈

Genres:
Action | Horror | Science Fiction

Production Companies:
Mosley Productions

Production Countries:
United Kingdom

Ratings / Certifications:
US: R 

Runtime: 103

Don't go down

Special ops squad "Hell's Bastards" are sent to infiltrate a civil war to retrieve intel. The unit soon find themselves trapped on a never-ending stairwell forced to climb or die. To survive, they must revisit their past sins if they ever want to get off.

Additional information:

The Search Form


Art Direction:
James Wilson
Toni Michieli

Boom Operator:
Paul Caton

Camera Operator:
Jonny Rhodes

Casting Director:
Michelle Holmes

Co-Producer:
Alan Latham

Colorist:
Matthew Wingad

Costume Designer:
Spyke Tombs

Director:
Tom Paton

Director of Photography:
George Burt

Executive Producer:
Phil McKenzie
Steve Mosley
Kirsty Bell

First Assistant Camera:
Craig Lees

First Assistant Director:
Mikel Iriarte

Foley Artist:
Franziska Treutler

Gaffer:
Patrick Gillespie

Line Producer:
Alexa Waugh

Makeup Artist:
Nadia Harrison

Makeup Designer:
Nadia Harrison

Original Music Composer:
Max Sweiry

Post Production Supervisor:
Kate Wright

Producer:
Alexa Waugh
Mikel Iriarte
Tom Paton
George Burt

Production Design:
Matt Page

Second Assistant Camera:
Joe Potts

Sound Mixer:
Matthew Price

Sound Re-Recording Mixer:
Adam Daniel
Graham Daniel

Stunt Coordinator:
Darren Le Fevre

Stunts:
Spencer Collings
Ermar Alexander
AJ Blackwell
Jon Callaway

Supervising Sound Editor:
Fred Englefield

Writer:
Tom Paton

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.