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The Night We Called It a Day (2003) [R]

Release Date:
August 14, 2003

Original Title:
The Night We Called It a Day

Alternate Titles:
All the Way

Genres:
Comedy | Drama

Production Companies:
Australian Film Commission
Australian Film Finance Corporation
Baker Street
New South Wales Film & Television Office
Ocean Pictures
Take Partnership
Winchester Films

Production Countries:
Australia | United Kingdom

Ratings / Certifications:
AU: M  CA: R  US: R 

Runtime: 97

This nobody is about to catch a big somebody.

Overview from TheMovieDB

Based on the true events surrounding Frank Sinatra's tour of Australia. When Sinatra calls a local reporter a "two-bit hooker", every union in the country black-bans the star until he issues an apology.

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Trailer

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Performers

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Production

"A" Camera Operator:
Darrin Keough

"B" Camera Operator:
David Knight

Art Department Coordinator:
Anthea Hodge

Art Direction:
Michael Iacono

Assistant Director:
Eddie Thorne

Assistant Grip:
David Griffiths

Casting:
Nikki Barrett
Anousha Zarkesh

Clapper Loader:
Damian Church

Costume Design:
Emily Seresin

Costume Supervisor:
Nina Edwards
Cappi Ireland

Dialogue Editor:
Stewart Henderson

Director:
Paul Goldman

Director of Photography:
Danny Ruhlmann

Editor:
Stephen Evans

Executive Producer:
Emma Hayter
Jonathan Shteinman
Bill Allan
Gary Smith

First Assistant Director:
Phil Jones

First Assistant Editor:
Sara-Jane van Gyen

Focus Puller:
Derry Field
Robert Foster

Hair Supervisor:
Wendy De Waal

Hairstylist:
Warren Hanneman
Adele Durno
Jason Gardner

Line Producer:
Barbara Gibbs

Makeup Artist:
Simone Wajon

Makeup Supervisor:
Deborah Lanser

Music:
Rupert Gregson-Williams

Music Editor:
Simon Leadley
Tim Ryan
Matthew Skelding

Other:
Guy Fletcher

Producer:
Peter Clifton
Nik Powell
Emile Sherman

Production Coordinator:
Sally Clarke

Production Design:
Michael Philips

Prosthetic Makeup Artist:
Wendy Sainsbury

Scenic Artist:
Martin Bruveris

Script Editor:
Mark Lazarus

Script Supervisor:
Kristin Voumard

Second Assistant Director:
Clair Parker

Second Second Assistant Director:
Scott Lovelock

Second Unit Director:
David Richardson

Second Unit Director of Photography:
Leilani Hannah

Set Decoration:
Tracy Dunn

Sound Effects Editor:
Terry Brown

Sound Re-Recording Mixer:
Howard Bargroff
David Turner

Sound Recordist:
Guntis Sics

Still Photographer:
Lisa Tomasetti

Stunt Coordinator:
Richard Boué

Third Assistant Director:
Hamish Roxburgh

Underwater Camera:
Roger Buckingham

Unit Manager:
Simon Lucas
Brad Roberts

Visual Effects Producer:
Jason Bath

Visual Effects Supervisor:
Paul Butterworth

Writer:
Peter Clifton
Michael Thomas

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.