Home

Into the Ashes (2019) [NR]

Release Date:
July 19, 2019

Original Title:
Into the Ashes

Alternate Titles:
Sed de venganza
Завръщане в пепелта

Genres:
Crime | Drama | Mystery | Thriller

Production Companies:
Michael Bruce Pictures

Production Countries:
United States of America

Ratings / Certifications:
BR: 14  DE: 16  DK: 15  GB: 15  US: NR 

Runtime: 97

From the fire, vengeance will rise.

Overview from TheMovieDB

With an honest job and a loving wife, Nick Brenner believed he had safely escaped his violent, criminal history. But his old crew hasn't forgotten about him or the money he stole, and when they take what Nick now values the most - his wife - he has nothing left to lose. Confronted by the town sheriff, who is also his father-in-law, Nick must decide if he will stay on his new path or indulge in his need for revenge and force his enemies to pay for what they have done.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

ADR Recordist:
Bart Vanderzee

ADR Supervisor:
Michael Kreple

Art Direction:
Prissy Lee

Assistant Editor:
Justin Lott
Marian Jiménez

Assistant Makeup Artist:
Somica Spratley

Assistant Property Master:
Hannah Riley

Best Boy Electric:
Erik Loveland

Casting:
Brent Caballero

Construction Coordinator:
Kevin Sappington

Costume Design:
Lindsay Zgonina

Digital Intermediate Producer:
Elijah Eastlund

Director:
Aaron Harvey

Director of Photography:
John W. Rutland

Drone Operator:
Scott Montgomery

Drone Pilot:
Louie Northern

Editor:
Richard Byard

Executive Producer:
Michael Jefferson
Frank Grillo
Jeff Elliott
Joel Shapiro
Colin Bates
Oliver Ridge

Extras Casting:
Ron Goleman

First Assistant Camera:
Diego Montiel

First Assistant Director:
Elliott Barker

Foley:
Gonzalo 'Bino' Espinoza

Gaffer:
Theodore Rysz III

Hair Department Head:
Rachael Latham

Hairstylist:
Jennifer Kimlin

Key Costumer:
Ron Dometrovich

Key Grip:
Benny Smyth

Key Hair Stylist:
Rachael Johnson

Key Makeup Artist:
Sara Ann Callaway

Line Producer:
Molly M. Mayeux

Music:
James Curd

Music Editor:
Carolyn Bahr

Music Supervisor:
James Curd

Producer:
Daniel Blanc
David Cade
Jamin O'Brien
Eric Binns
Robert Ogden Barnum
Aaron Harvey

Production Coordinator:
Troy Wythe Candor

Production Design:
Mark Bankins

Production Secretary:
Nathan R. Lyle

Property Master:
Michael Williamson

Screenplay:
Aaron Harvey

Script Supervisor:
Danny Cooper

Second Assistant Camera:
Daniel Thomas King

Second Assistant Director:
Bri Hervey

Second Second Assistant Director:
Tasha McCrory

Set Decoration:
Jonathan Purvis

Sound Mixer:
Brett Murray

Sound Supervisor:
David Kitchens

Steadicam Operator:
Brandon Thompson

Still Photographer:
Wes Frazer

Stunt Coordinator:
Bill Scharff

Stunts:
Tony J. Scott

Visual Effects Supervisor:
Stephen Morton

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.