A work in constant progress (and occasional regress).
Featuring:
James Kirkwood, Dorothy Bernard, Arthur V. Johnson
Written by:
Stanner E.V. Taylor
Directed by:
D.W. Griffith
Release Date:
January 5, 1910
Original Title:
The Final Settlement
Production Companies:
American Mutoscope & Biograph
Ratings / Certifications:
N/A
Runtime: 15
Noticing that Jim is partial to a drink, Ruth breaks off her engagement to him and turns to John, who until then had kept his love for her to himself. They get married and move to a cabin in the forest where John works as a woodcutter. In the meantime, Jim, who has become a hoodlum and ignores that his rival has married his former fiancée, runs into John at the lumber camp and challenges him to a duel for the same evening. He then goes to look for money to buy himself alcohol, and breaks into John and Ruth’s cabin. Surprised to find Ruth there, he realizes that she has married John and has given him a child. On leaving the cabin, he looks to the vengeance the duel is going to allow him to wreak. Yet, he eventually thinks better and, ashamed at his own idea and out of the love he still feels for Ruth, decides to spare her husband’s life. He shows up at the duel with a gun loaded with blanks.
Jim and John, two woodsmen, are rivals for the hand of Ruth. John is an honest, unobtrusive fellow, and lets Jim lead in their suit, hence, Jim and Ruth are betrothed. Ruth truly loves Jim, having assumed that John's little attentions were merely expressions of friendship, so John retires. After the betrothal Jim and Ruth are more in each other's company and consequently she learns his true character. She is amazed to find that he is a slave to drink, and realizing her hopes of future happiness with him in vain, she dismisses him. She is crushed beyond measure, but is thankful that she escaped before too late. John learning of the broken engagement, renews his suit and is accepted by Ruth, for she now sees the difference in the two natures. They are married, and we find them five years later happy in their little cabin, a child having blessed their union. Off John goes for his work in the woods felling timber. Jim has meanwhile become in a measure a renegade. He whiles his time hunting, looting and in fact, anything that will bring him drink to his insatiable thirst. He does not know what became of Ruth, nor does he seem to care. It is lunch time in the lumber camp when Jim staggers along to come face to face with John. John good naturedly offers Jim a share of his lunch. This Jim refuses and, furthermore, picks a quarrel with John, for the meeting has revived the old enmity. Friends interpose, but a challenge to fight later is passed, the meeting to take place the same evening. Jim, appreciating his talent as a sure shot, doesn't worry, but goes along with his friend to see where he can raise money for drink. They come to a cabin and break in, not knowing nor caring who the occupant is. You may imagine his amazement at finding himself in the presence of Ruth, whom he learns for the first time is married to John. He leaves the cabin and at first is elated at the extent of the revenge he is about to wreak, but later he realizes what disaster it would work for poor Ruth and her little one. These thoughts arouse his better self, so long benumbed by drink, and he resolves to refuse to fight, for his love for her is stronger than his thirst for revenge. But no. That would not do. To refuse to fight would mean to be driven from the woods as a coward. He must make a sacrifice. Taking the shells from his gun he extracts the bullets, so he meets John on the field of honor with a weapon charged with blank cartridges.
Director:
D.W. Griffith
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.