A work in constant progress (and occasional regress).
Release Date:
April 14, 1969
Original Title:
33 ⅓ Revolutions per Monkee
Alternate Titles:
33 1/3 レボリューション・パー・モンキー
Genres:
Comedy | Music | TV Movie
Production Companies:
Screen Gems Television
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 60
33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "33 1⁄3 revolutions per minute."
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Direction:
Gene McAvoy
Assistant Director:
Bud Grace
Associate Producer:
Gene Marcione
Choreographer:
Jaime Rogers
Costume Design:
Ray Aghayan
Director:
Art Fisher
Executive Producer:
Ward Sylvester
Lighting Director:
Bob Boatman
Music Coordinator:
Brendan Cahill
Producer:
Jack Good
Production Assistant:
Lillian Tobinson
Recording Supervision:
Doc Siegel
Unit Manager:
Tom Hulbert
Writer:
Jack Good
Art Fisher
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.