A work in constant progress (and occasional regress).
Release Date:
January 12, 2022
Original Title:
특송
Alternate Titles:
Expressz küldemény
Livrare specială
Przesyłka specjalna
Quái Xế Giao Hàng
Special Cargo
Special Delivery
Teuksong
Малышка на драйве
Спецдоставка
Спеціальна доставка
انتقال ویژه
محموله ویژه
پست سفارشی
ส่งด่วนทะลุนรก
極速快遞
Genres:
Action | Crime
Production Companies:
M Pictures
Next Entertainment World
Production Countries:
South Korea
Ratings / Certifications:
BE: 16 DE: 16 GB: 15 HK: IIB KR: 15 NL: 16 SG: PG13
Runtime: 109
A black-market cabbie drives criminals at breakneck speeds until she is left in charge of a fugitive's son.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Direction:
Lee Jin-hyung
Assistant Editor:
Hwang Eun-ju
Boom Operator:
Choi Dong-geun
Camera Car:
Woo Geum-ho
Costume Design:
Cho Sang-kyung
Digital Intermediate:
Park Jin-ho
Director:
Park Dae-min
Director of Photography:
Hong Jae-sik
Editor:
Kim Sun-min
Executive Producer:
Kim Woo-taek
Seok Dong-jun
Kim Bong-seo
Lighting Director:
Kim Jae-keun
Line Producer:
Lee Chun-woo
Jang Joo-yeon
Makeup & Hair:
Jang Yoon-jung
Martial Arts Choreographer:
Choi Seong-kyum
Choi Dong-hun
Matte Painter:
Bae Sang-min
Original Music Composer:
Hwang Sang-jun
Producer:
Kim Sung-hoon
Ju Seung-hwan
Production Design:
Lee Tae-hoon
Production Sound Mixer:
Ahn Sung-il
Props:
Jang Seok-ho
Senior Colorist:
Park Hyun-jin
Set Decoration:
Choi Hong-seob
Jeong In-cheol
Sound Supervisor:
Han Myung-hwan
Special Effects Makeup Artist:
Yoon Hwang-jik
Kim Se-hee
Special Effects Supervisor:
Hong Jang-pyo
Stunts:
Lim Hyo-woo
Kim Tae-kang
Suh Jeong-woo
Visual Effects:
Park Eui-dong
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.