A work in constant progress (and occasional regress).
Release Date:
August 25, 2021
Original Title:
France
Alternate Titles:
Correndo Da Fama
On A Half Clear Morning
Par un demi-clair matin
芳名法兰西
프랑스
Genres:
Comedy | Drama
Production Companies:
3B Productions
ARTE France Cinéma
Ascent Film
BR
RAI Cinema
Red Balloon Film
SCOPE Pictures
Tea Time Film
Production Countries:
Belgium | France | Germany | Italy
Ratings / Certifications:
BE: 12 DE: 12 KR: 12 NL: 12 RU: 16+
Runtime: 133
A celebrity journalist, juggling her busy career and personal life, has her life over-turned by a freak car accident.
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Art Direction:
Erwan Le Gal
Assistant Director:
Camille Tricaud
Boom Operator:
Nicolas Gilou
Casting:
Clément Morelle
Co-Producer:
Marcantonio Borghese
Geneviève Lemal
Fabrizio Mosca
Matteo Rovere
Ines Vasiljević
Andrea Paris
Olivier Père
Dorothe Beinemeier
Costume Designer:
Alexandra Charles
Director:
Bruno Dumont
Director of Photography:
David Chambille
Editor:
Nicolas Bier
First Assistant Camera:
Camille Clément
First Assistant Director:
Rémi Bouvier
Foley Artist:
Pierre Greco
Foley Mixer:
Maxime Cordon
Key Makeup Artist:
Simon Livet
Makeup Artist:
Barbara Kreuzer
Music Editor:
Akalanka Ekanayake
Original Music Composer:
Christophe
Producer:
Rachid Bouchareb
Muriel Merlin
Jean Bréhat
Production Design:
Erwan Le Gal
Second Assistant Camera:
Emmanuelle Alaitru
Francesco Ranieri
Second Assistant Director:
Jérémy Debord
Set Decoration:
Pauline Stern
Pierre Renaux
Sound:
Philippe Lecoeur
Sound Assistant:
Bastien Chemtov
Sound Designer:
Gert Janssen
Sound Editor:
Romain Ozanne
Sound Re-Recording Mixer:
Emmanuel Croset
Stunts:
Adrien Bour
Alain Bour
Pascal David
Laurent Mulot
Third Assistant Director:
Matthieu Asano
Louise Dendraën
Visual Effects:
My Lan Nguyen Quang
Visual Effects Producer:
Guillaume Marien
Nadège Moreau
Maeva Sol
Writer:
Bruno Dumont
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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