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Aftertaste (2018) [N/A]

Release Date:
August 15, 2018

Original Title:
Послевкусие

Alternate Titles:
Poslevkusie

Genres:
Drama

Production Countries:
Russia

Ratings / Certifications:
 N/A

Runtime: 25

Overview from TheMovieDB

Moscow. The night on the Eve of 1947. The war veteran Victor is going to a girl that he loves. The day earlier he was unloading railroad cars to buy a nice present for Helya. Helya is from Poland, a student of the Moscow Conservatoire. Victor and Helya will see the New Year in at their friend’s. Only one night when all secrets are revealed, when the feelings are poured out, but circumstances dictate their own rules. Victor and Helya are made for each other, but they are facing a choice — of the country where to live, of love or career. All of us have to make a choice in our life. When the day breaks, the fate of the two heroes will be decided.

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Performers

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Production

Director:
Georgy Zaozersky

Director of Photography:
Anton Mironovich

Editor:
Konstantin Kobtsev

Original Music Composer:
Alexey Aygi

Producer:
Georgy Zaozersky
Ruben Dishdishyan

Production Design:
Darya Telegina

Screenplay:
Dmitry Osinkin

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.