Home

GWF Women's Wrestling Revolution 8: All Eyes On Us (2018) [N/A]

Gallery Unavailable

Release Date:
May 4, 2018

Original Title:
GWF Women's Wrestling Revolution 8: All Eyes On Us

Genres:
Action | Drama

Production Companies:
German Wrestling Federation

Production Countries:
Germany

Ratings / Certifications:
DE: 12 

Runtime: 120

Overview from TheMovieDB

Revolution 8 was Germany's first-ever all-female wrestling evening event and featured two huge title matches. For the first time the PROGRESS Women's Title was defended in Germany as Australia's Toni Storm competed against wrestling legend Wesna. In the second title bout the undefeated GWF Women's Champion Katey Harvey fought against The Daredevil from Greece Blue Nikita in a gruesome No Disqualification Match! Also in action: Jamie Hayter from England made her return, Melanie Gray from Germany and Audrey Bride from Hungary competed in a tag team match against each other, The Amazon Ayesha Raymond made a huge statement towards the GWF Women's Champion, Laura Di Matteo, Killer Kelly, Valkyrie and many more.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

Creator:
Carlos Gallero

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.