A work in constant progress (and occasional regress).
Release Date:
December 25, 2020
Original Title:
Den største forbrytelsen
Alternate Titles:
Betrayed
Genres:
Drama | History | War
Production Companies:
Fantefilm
Film i Väst
Production Countries:
Norway | Sweden
Ratings / Certifications:
GB: 15 SE: 15
Runtime: 126
During World War II, millions of Jews from all over Europe are deported and killed in German concentration camps. When the German troops invade Norway, the Norwegian Jews feel safe and protected. But anti-Semitism knows no borders and as the war escalates in Europe, the situation changes drastically. Suddenly, their radios are taken away; their passports are stamped with a big J and one day, all the men men over the age of 15 are arrested and taken to prisons camps. Many of the women left behind are too frightened to escape and are desperately waiting for their husbands and sons to come back home. On November 26, 1942, hundreds of Jews are picked up by the police in the middle of the night and are transported to the dock in Oslo. Unknowing and frightened men, women, children, sick and old are forced on board the awaiting German cargo ship "SS DONAU". The ship leaves with 532 Norwegian Jews onboard; 302 men, 188 women and 42 children. The end station is Auschwitz.
Additional Music:
Fredrik Möller
Book:
Marte Michelet
Casting:
Yngvill Kolset Haga
Co-Producer:
Fredrik Wikström
Costume Design:
Anne Pedersen
Director:
Eirik Svensson
Director of Photography:
Karl Erik Brøndbo
Editor:
Christian Siebenherz
Elise Solberg
Line Producer:
Trond Mjøs
Makeup & Hair:
Sara Klänge
Original Music Composer:
Johan Söderqvist
Post Producer:
Thea Benedikte Kevin Karlsen
Producer:
Martin Sundland
Catrin Gundersen
Therese Bøhn
Production Design:
Koja
Script:
Therese Messel
Sound Designer:
Christian Schaanning
Stunt Coordinator:
Deni Jordan
Supervising Producer:
Jan Eirik Langøen
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.