A work in constant progress (and occasional regress).
Featuring:
Hatsu Kimura, Sadatoshi Mikado, Yoko Shiraishi
Directed by:
Shinsuke Ogawa
Release Date:
November 23, 1977
Original Title:
牧野物語・養蚕篇
Alternate Titles:
Magino monogatari - Yosan-hen: Eiga no tame no eiga
Genres:
Documentary
Production Companies:
Ogawa Productions
Production Countries:
Japan
Ratings / Certifications:
N/A
Runtime: 112
Ogawa Production Staff, who moved to Makinomura in Yamagata Prefecture, looks at sericulture, sericulture labor, agriculture ... Let's listen to people's words and stare for the sake of staring ...
The film opens with an old woman recounting a folk tale concerning silkworms (she calls them "honorable worms"), in which the Magino silkworms are seen as the reincarnation of a vanished princess, and as messengers of the gods. In the folk tale it is said that the pattern on the bodies of the silkworms is the same as the hoof print of the horse that protected the princess. This introduction draws us into the world of raising silkworms. Ogawa and his staff spin out a film from the process of actually raising silkworms themselves, under the direction of Sato Kimura, a woman who has spent half her life with the silkworms. The film shows us in exquisite detail the process involved: from the birth of the silkworms in the spring, through the selection of mulberry leaves for their food and the repeated shedding of their skins as they grow, to the cocoons that they make in time for the autumn. Along with Ogawa and his staff, we come to share the same sense of "time" as Sato, who has spent many years with the silkworms. This time spent with Sato, in particular, formed the basis of the opened attitude that Ogawa demonstrated in his later films after moving to Magino and working as both filmmaker and farmer.
Assistant Director:
Takaaki Watanabe
Director:
Shinsuke Ogawa
Editor:
Fukuda Katsuhiko
Producer:
Iizuka Toshio
Hiroo Fuseya
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.