A work in constant progress (and occasional regress).
Release Date:
January 16, 2004
Original Title:
Along Came Polly
Alternate Titles:
A osʹ i Polli
A vot i Polli
I onda je naišla Poli
Otan Gnórisa tin Póly
Und dann kam Polly
Zavrŭshtaneto na Poli
Genres:
Comedy | Romance
Production Companies:
Jersey Films
Production Countries:
United States of America
Ratings / Certifications:
AU: M BG: C BR: 12 CH: 12 CZ: 12+ DK: A ES: 7 FI: K-12 FR: U GB: 12A GR: 13 HU: 16 IE: 12 IT: T NL: 6 PL: 12 RO: 12 RU: 12+ SE: 15 US: PG-13
Runtime: 90
Reuben Feffer is a guy who's spent his entire life playing it safe. Polly Prince is irresistible as a free-spirit who lives for the thrill of the moment. When these two comically mismatched souls collide, Reuben's world is turned upside down, as he makes an uproarious attempt to change his life from middle-of-the-road to totally-out-there.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Dylan A. Flores
ADR Recordist:
Philip Rogers
ADR Voice Casting:
Barbara Harris
Art Department Assistant:
Scott Morgan
Art Department Coordinator:
Kacy Magedman
Art Direction:
Martin Whist
Assistant Camera:
Stanley Fernandez Jr.
Assistant Chief Lighting Technician:
Christopher A. Zwirner
Assistant Editor:
David Raymond
Peggy Eghbalian
Assistant Location Manager:
Kei Rowan-Young
Assistant Makeup Artist:
Amy Schmiederer
Assistant Production Coordinator:
Lisa S. Beasley
Assistant Property Master:
Tim Y. Wetzel
Assistant Sound Editor:
Matthew C. May
Joseph Schultz
Associate Editor:
Laura Steiger
Associate Producer:
Anders Bard
Best Boy Grip:
Patrick Shelby
Boom Operator:
Benjamin Wienert
Camera Loader:
Paul Toomey
Chuck Moya
Camera Operator:
George Billinger III
Mitch Dubin
Camera Trainee:
Jeremiah Kent
Casting:
Kathleen Chopin
Casting Associate:
Karen Meisels
Eric Zuckerman
Chief Lighting Technician:
Kelly Clear
Choreographer:
JoAnn Fregalette Jansen
Anne Fletcher
Color Timer:
Terry Claborn
Compositing Supervisor:
David S. Williams Jr.
Construction Coordinator:
Jonas Kirk
Costume Design:
Cindy Evans
Costume Supervisor:
Lori DeLapp
Costumer:
Yulia Gershenzon
Craft Service:
Ronald Hairston Jr.
Dialogue Editor:
Robert Grieve
Joel Shryack
Digital Compositor:
Shaina Holmes
Digital Supervisor:
Richard Patterson
Director:
John Hamburg
Director of Photography:
Seamus McGarvey
Dolly Grip:
Jack Glenn
Editor:
William Kerr
Nick Moore
Electrician:
Paul Arnold
Executive Producer:
Jane Bartelme
Dan Levine
Extras Casting:
Margaret Doversola
First Assistant Accountant:
Marybeth Martin-Eck
First Assistant Camera:
Steven Meizler
Mark Spath
First Assistant Director:
Daniel Silverberg
First Assistant Editor:
Clark Campbell
Foley Artist:
Goro Koyama
Foley Editor:
Andrew Bracken
Foley Supervisor:
Dan Yale
Gaffer:
Dayton Nietert
Graphic Designer:
David Scott
Hair Department Head:
Kelvin R. Trahan
Hairstylist:
Naomi Donne
Chris McMillan
Intern:
Cheryl Bell Hawley
Key Costumer:
Laura Marolakos
Janet Sobel
Key Grip:
Art Bartels
Key Hair Stylist:
Trish Almeida
Key Makeup Artist:
Ann Pala
Lead Animator:
Andrew Tucker
Leadman:
Robert W. Joseph
Location Coordinator:
Rachel Swenson
Location Manager:
Molly Allen
Makeup Artist:
Naomi Donne
Valli O'Reilly
Makeup Department Head:
Felicity Bowring
Music Consultant:
Jim Dunbar
Music Editor:
Kerry P. Brown
Tanya Noel Hill
Music Supervisor:
Randall Poster
Negative Cutter:
Gary Burritt
On Set Dresser:
Jeffrey Rollins
Original Music Composer:
Theodore Shapiro
Payroll Accountant:
Alexander C. Sohn
Post Production Coordinator:
Elizabeth Dean
Post Production Supervisor:
Lisa Rodgers
Producer:
Danny DeVito
Michael Shamberg
Stacey Sher
Production Accountant:
Charles W. Francis
Production Assistant:
Trent Broin
Production Coordinator:
Marc A. Hammer
Production Design:
Andrew Laws
Production Secretary:
Jenny Fumarolo
Production Sound Mixer:
Richard Van Dyke
Property Master:
Todd Ellis
Rigging Gaffer:
Michael Amorelli
Script Supervisor:
Annie Welles
Second Assistant Accountant:
Abbie Ludwig
Second Assistant Camera:
Tom Jordan
Second Assistant Director:
Lisa Bloch-Tobey
Second Second Assistant Director:
Don H. Julien
Second Unit Director:
Alex Daniels
Set Costumer:
Annie Laoparadonchai
Set Decoration:
Don Diers
Set Designer:
Greg Berry
Mary Saisselin
Sound Mixer:
Geoffrey Patterson
Bruce Fowler
Special Effects Coordinator:
Greg Curtis
Special Effects Technician:
Chris Brenczewski
Steadicam Operator:
George Billinger III
Still Photographer:
Tracy Bennett
Storyboard Artist:
Miles Teves
Storyboard Designer:
Steve Werblun
Stunt Coordinator:
Alex Daniels
Stunt Double:
Jennifer Brusciano
Samantha Lea Smith
Stunt Driver:
Carolyn Sapp Daniels
Stunts:
Steven Lambert
Hugh Aodh O'Brien
Tim Rigby
Danielle Burgio
Janie Liszewski
Pete Antico
Gregory J. Barnett
Peewee Piemonte
Supervising Music Editor:
Charles Martin Inouye
Supervising Sound Editor:
Darren King
Title Designer:
Greg Kupiec
Transportation Captain:
Rick Chouinard
Transportation Co-Captain:
Greg Van Dyke
Transportation Coordinator:
James C. Taylor
Unit Production Manager:
Daniel M. Stillman
Unit Publicist:
Kathryn Donovan
Utility Sound:
Jeffrey A. Humphreys
Visual Effects Editor:
Michelle Rothburgh
Wardrobe Supervisor:
Joanna Brett
Writer:
John Hamburg
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.