A work in constant progress (and occasional regress).
Release Date:
April 14, 2019
Original Title:
Gladiateur, glaive et fantasmes
Alternate Titles:
Da “Quo vadis” a “Il gladiatore”: la storia del peplum
Peplum, „kino miecza i sandałów”. Czemu zawdzięcza swój sukces?
Peplum: el cine de espadas y sandalias
Péplum: muscles, glaives et fantasmes
Sword-and-Sandal: The Story of the Period Epic
Genres:
Documentary | TV Movie
Production Companies:
ARTE GEIE
CNC
ITV Studios France
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 54
The silent cinema had already created colossal movies based on ancient civilizations, but it is in the 1950s when peplums reach their apogee in Hollywood. Then, peplums take root at Cinecittà studios, in Rome, where cheap cinema is produced with bodybuilders as heroes. The genre decays in the late 1960s, but rises again decades later, when a modern classic is released in 2000.
Director:
Jérôme Korkikian
Director of Photography:
Jean-Yves Charpin
Guillaume Tunzini
Editor:
Olivier Korkikian
Original Music Composer:
Maximilien Mathevon
Producer:
Franck Firmin Guion
Fabien Husson
Nathalie Ducrin
Heike Lettau
Caroline Laub
Sound Engineer:
Christophe Joly
Olivier Virmont
Sound Mixer:
Aurélien Bony
Writer:
Jérôme Korkikian
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.