Home

Labour/Leisure (2019) [N/A]

Release Date:
March 23, 2019

Original Title:
Labour/Leisure

Genres:
Documentary

Production Companies:
British Columbia Arts Council
Canada Council for the Arts
ONF | NFB

Production Countries:
Canada

Ratings / Certifications:
 N/A

Runtime: 19

Overview from TheMovieDB

The Okanagan Valley in the southern interior of British Columbia is marketed as a destination of leisure, recreation, retirement and wealth. Behind this facade is a largely invisible agricultural labour force, comprised of temporary migrant workers from the Global South. These workers are placed in a system that is inherently precarious and potentially exploitative, wherein their legal status is tied directly to their employer, with no path to permanent citizenship. While the workers pay into Canadian health care and pension plans, they do not benefit from these social goods as temporary citizens. This film aims to make this labour visible, while contemplating the prescribed aesthetics imposed on the landscape within the region. Formally, the film resides at the intersection of photography and the moving image, while embracing the generative structural limitations of early cinema.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Production

Colorist:
Sam Gilling

Director:
Jessica Johnson
Ryan Ermacora

Director of Photography:
Jeremy Cox

Location Manager:
Aidan Whiteley

Location Sound Recordist:
Dave Pullmer

Production Manager:
Milena Salazar

Sound Designer:
Eugenio Battaglia

Sound Re-Recording Mixer:
Eugenio Battaglia

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.