A work in constant progress (and occasional regress).
Release Date:
February 14, 2020
Original Title:
The Photograph
Genres:
Drama | Romance
Production Companies:
Perfect World Pictures
Universal Pictures
Will Packer Productions
Production Countries:
Canada | United States of America
Ratings / Certifications:
BR: 12 ES: 7 FR: 10 GB: 12A HU: 12 IE: 12A US: PG-13
Runtime: 106
When famed photographer Christina Eames dies unexpectedly, she leaves her estranged daughter, Mae, hurt, angry and full of questions. When Mae finds a photograph tucked away in a safe-deposit box, she soon finds herself delving into her mother's early life -- an investigation that leads to an unexpected romance with a rising journalist.
"A" Camera Operator:
Rod Calarco
"B" Camera Operator:
Rob Pagliaro
Art Department Assistant:
Gordon Weeks
Art Department Coordinator:
Chelsea Alison Moore
Art Direction:
Geoffrey A. Ehrlich
Assistant Accountant:
Rosie Fine
Assistant Art Director:
Geoffrey A. Ehrlich
Assistant Costume Designer:
Julie Bennett
Assistant Location Manager:
Eric Jordan Nussbaum
Assistant Production Coordinator:
Tanesha Hartsfield
Assistant Property Master:
Abariss Culjak
Assistant Set Decoration:
Lisa Kent
Mary Prlain
Associate Producer:
Shayla Cowan
Best Boy Electric:
Jori Stigers
Best Boy Grip:
Dana Wisher
Boom Operator:
Libero Colimberti
Camera Loader:
Christian Carmody
Casting:
Michelle Wade Byrd
Mary Vernieu
Casting Assistant:
Karli Karandos
Co-Producer:
Heather Washington
Construction Coordinator:
Charles Romanello
Costume Coordinator:
Jennifer Birzer
Costume Designer:
Keri Langerman
Costume Supervisor:
Michelle Winters
Costumer:
Delvan James
Malcolm Phipps
Data Wrangler:
Christian Carmody
Director:
Stella Meghie
Director of Photography:
Mark Schwartzbard
Dolly Grip:
Yancy Rodriquez
Daniel Wallenstein
Editor:
Shannon Baker Davis
Executive Producer:
Erika Hampson
Issa Rae
Stella Meghie
Extras Casting:
Lindsay Allyn Drucker
Genevieve Martin
First Assistant "A" Camera:
Zach Rubin
First Assistant "B" Camera:
Paul Colangelo
First Assistant Accountant:
Kareem O'Neill
First Assistant Director:
Mark Anthony Little
Gaffer:
William Newell
Graphic Designer:
Laurel Kolsby
Hair Department Head:
Brian Badie
Hairstylist:
Felicia Leatherwood
Key Costumer:
Olivia Fuks
Key Grip:
Gary Martone
Key Hair Stylist:
Tarsha Marshall
Sherri Hamilton
Key Makeup Artist:
Natalie Young
Natalie Christine Johnson
Key Rigging Grip:
Pedro Hernández
Leadman:
James Pesci
Location Coordinator:
Irina Chelidze
Location Manager:
Christopher Menges
Makeup Artist:
Delina Medhin
Allison Lacour
Makeup Department Head:
Marjorie Durand
Music Editor:
Nancy Allen
Original Music Composer:
Robert Glasper
Payroll Accountant:
Victor A. Pineda
Producer:
Will Packer
James Lopez
Production Accountant:
Mariarosa Calderon
Production Coordinator:
Ryan McDonald
Laura Calcagni
Production Design:
Loren Weeks
Production Secretary:
Joshua Lee Sussman
Production Sound Mixer:
Allison Jackson
Property Master:
Daniel Boxer
Rigging Gaffer:
Patrick Wade
Screenplay:
Stella Meghie
Script Supervisor:
Kim Delise
Second Assistant "A" Camera:
Christopher Cafaro
Second Assistant "B" Camera:
Derrick Dawkins
Second Assistant Director:
Jakub Porembski
Second Second Assistant Director:
Amrita Kundu
Set Decoration:
Jennifer Greenberg
RosaMaria Sasso
Special Effects Coordinator:
Eugene Hitt
Still Photographer:
Sabrina Lantos
Stunt Coordinator:
Chris Cenatiempo
Stunt Double:
Jénel Stevens
Justin Clarke
Unit Production Manager:
Leslie Gyson
Erika Hampson
Utility Sound:
Eric Branting
Utility Stunts:
Chris J. Fanguy
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.