A work in constant progress (and occasional regress).
Release Date:
December 6, 2019
Original Title:
Ordinary Love
Alternate Titles:
Ahava Pshouta
Navadna ljubezen
Naša ljubav
Normal People
Sasvim Obična Ljubav
Un amor extraordinario
オーディナリー・ラブ/ありふれた愛の物語
平凡的爱
普通之爱
普通人
普通的爱
Genres:
Drama | Romance
Production Companies:
BFI
Bankside Films
Canderblinks Film
Head Gear Films
Northern Ireland Screen
Out of Orbit
Tempo Productions
Production Countries:
Ireland | United Kingdom
Ratings / Certifications:
CA: PG|G DE: 12 ES: 12 GB: 12A IE: 12 MX: B-15 PL: 18 SE: 15 US: R
Runtime: 92
An extraordinary look at the lives of a middle-aged couple in the midst of the wife's breast cancer diagnosis.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"B" Camera Operator:
Aidan Gault
Ryan Douglas
ADR Editor:
Ian Morgan
ADR Recordist:
Don Hoffman
Art Direction:
Vanessa Zanardo
Assistant Accountant:
Tony Rice
Assistant Art Director:
Alex Gabrysch
Assistant Hairstylist:
Orlaith Walsh
Assistant Location Manager:
Gareth Hogan
Assistant Set Decoration:
Cheryl Rock
Assistant Sound Editor:
Morgan Muse
Associate Producer:
Elliot Ross
Fenella Ross
Tom Harberd
Best Boy Electric:
Steven Livingstone
Boom Operator:
Terry McDonald
Camera Loader:
Alfie Oldman
Casting:
Des Hamilton
Georgia Topley
Casting Associate:
Elan Jones
Jo Harris
Sophie Pearson
Costume Coordinator:
Sarah McCann
Costume Design:
Susan Scott
Costume Supervisor:
Ger Scully
Data Wrangler:
Samuel Steele
Dialogue Editor:
Morgan Muse
Director:
Glenn Leyburn
Lisa Barros D'Sa
Director of Photography:
Piers McGrail
Editor:
Nick Emerson
Executive Producer:
Phil Hunt
Glenn Leyburn
René Besson
Stephen Kelliher
Compton Ross
Lisa Barros D'Sa
Mark Huffam
Natascha Wharton
Jo Bamford
First Assistant "B" Camera:
Sam Donaghy-Bell
Gregory McGuinness
Mike Lockhart
First Assistant Director:
Barry Keil
Focus Puller:
Conor Rotherham
Foley Artist:
Caoimhe Doyle
Foley Editor:
Matt Sweeney
Foley Mixer:
Jean McGrath
Gaffer:
Brian Livingstone
Graphic Designer:
Jarlath Houston
Key Grip:
Riley Garrett
Location Assistant:
Patrick Hamill
Location Manager:
Phil Crothers
Makeup & Hair:
Aisling Kennedy
Makeup Artist:
Robyn Wheeler
Makeup Designer:
Polly McKay
Music Editor:
Tristin Norwell
Music Supervisor:
Monia Dafa
Online Editor:
Jonathan Fetherston
Original Music Composer:
David Holmes
Brian Irvine
Producer:
David Holmes
Piers Tempest
Brian J. Falconer
Production Accountant:
Morgan Blackmore
Production Design:
Nigel Pollock
Production Manager:
Bridie Sinden
Production Sound Mixer:
Derek Hehir
Property Master:
Paul Stewart
Prosthetic Designer:
Polly McKay
Script Supervisor:
Helen McCullough
Second Assistant "A" Camera:
George Barnes
Second Assistant Director:
Maria Mulhall
Set Decoration:
Adrian Greenwood
Sound Designer:
Paul Davies
Sound Re-Recording Mixer:
Paul Maynes
Sound Recordist:
Don Hoffman
Special Effects Supervisor:
Sam Conway
Special Effects Technician:
Jack Longmate
Steadicam Operator:
Mick O'Rourke
Still Photographer:
Aidan Monaghan
Supervising Dialogue Editor:
Ian Morgan
Third Assistant Director:
Breandan Mckeever
Unit Manager:
Robbie Huffam
Unit Publicist:
Ellen Steers
Writer:
Owen McCafferty
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.