A work in constant progress (and occasional regress).
Release Date:
December 4, 2001
Original Title:
Another Day
Alternate Titles:
Egy másik nap
Genres:
Drama | Science Fiction | TV Movie | Thriller
Production Companies:
Alliance Atlantis
American Zoetrope
Coolbrook Media
USA Network
Production Countries:
Canada | United States of America
Ratings / Certifications:
US: NR
Runtime: 90
Kate's boyfriend dies in a fire after a fight over the couple's unborn child. After Kate is involved in a near-drowning accident a few years later, she wakes up on-shore to find that she's living two days before her boyfriend's fatal fire.
ADR Editor:
Allan Fung
ADR Recordist:
Darcy Kite
Art Direction:
Réjean Labrie
Assistant Dialogue Editor:
Brent MacLean
Assistant Location Manager:
Alex Archbold
Assistant Picture Editor:
Jason B. Irvine
Carol Wenaus
Assistant Production Coordinator:
Leah Moore
Best Boy Electric:
Joao Holowka
Best Boy Grip:
Robert Thomson
Boom Operator:
Stan Mak
Business Affairs Coordinator:
Ferne Cohen
Camera Operator:
Nathaniel Massey
Camera Trainee:
Keith Eidse
Casting:
Julia Tate
Deirdre Bowen
Casting Assistant:
Lindsay Grant
Catering:
Dave Porter
Keith Kozak
Co-Executive Producer:
Shannen Doherty
Colorist:
Lorraine Grant
Construction Coordinator:
Olaf Dux
Costume Designer:
Charlotte Penner
Costume Supervisor:
Wanda Farian
Dialogue Editor:
Brandon Walker
Director:
Jeffrey Reiner
Director of Photography:
Gavin Smith
Dolly Grip:
Bill Mills
Driver:
Tim Vincent
Kenny Shields
Ryan Kulbaba
Brian Johnston
Pauline Fondeur
Editor:
Jeff Warren
Electrician:
Greg Woods
Richard Falk
Executive Producer:
Shannon O'Connor
Gord Haines
Tara McCann
Francis Ford Coppola
First Assistant Accountant:
Lianne Seal
First Assistant Camera:
George Kucera
First Assistant Director:
Elizabeth Scherberger
Foley Artist:
Donna Powell
Foley Recordist:
Kirk Lynds
Gaffer:
Steven Morrisson
Grip:
Sean Gillies
Christopher M. Gower
Key Grip:
Steve Madden
Key Hair Stylist:
Pina Robinson
Key Makeup Artist:
Joyce Wold
Lead Set Dresser:
Maryam Decter
Legal Services:
Ferne Cohen
Line Producer:
Lesley Oswald
Location Casting:
Rebecca Gibson
Location Manager:
Carmen Lethbridge
Online Editor:
Paul Deakin
Prez Tynski
Original Music Composer:
John McCarthy
Post Production Coordinator:
Carolyne McLean
Post Production Supervisor:
Howard Porter
Producer:
Eric Norlen
Jean Desormeaux
Production Accountant:
Sheila Woodley
Production Coordinator:
Tamara Mauthe
Production Design:
Harold Thrasher
Production Manager:
Lesley Oswald
Property Master:
Sherry Starkell
Script Supervisor:
Corey Jones
Second Assistant Camera:
Shauna Townley
Second Assistant Director:
David Antoniuk
Security:
Wayne Glesby
Set Decoration:
Steve Arndt
Set Dresser:
Mark McSwain
Alexis Labra
Set Dressing Buyer:
Debbie Kuzina
Set Production Assistant:
Tiffany Taylor
Caroline Cross
Sound Effects Editor:
Susan Fairbairn
Sound Mixer:
Russ Dyck
Sound Re-Recording Mixer:
John Gare
Paul Williamson
Special Effects Best Boy:
Graham S. Hollins
Special Effects Coordinator:
Rory Cutler
Stand In:
Tiffany Edwardsen
Warren Adamchuck
Steadicam Operator:
Nathaniel Massey
Still Photographer:
Thomas Fricke
Stunt Coordinator:
Ken Quinn
Stunt Double:
Taryn Ash
Darren Ross
Daryl Patchett
Cory Freedman
Craig Skene
Supervising Sound Editor:
Brandon Walker
Teleplay:
Don MacLeod
Helen Frost
Transportation Captain:
James Alexander
Transportation Coordinator:
John Mysyk
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.