Home

Come to Daddy (2019) [R]

Release Date:
April 25, 2019

Original Title:
Come to Daddy

Alternate Titles:
컴 투 대디

Genres:
Comedy | Mystery | Thriller

Production Companies:
Blinder Films
Firefly Films
New Zealand Film Commission
Saban Films
Scythia Films

Production Countries:
Canada | Ireland | New Zealand | United States of America

Ratings / Certifications:
BR: 18  CH: 18  DE: 18  FR: 12  IE: 18  RU: 18+  SE: 15  US: R 

Runtime: 96

Overview from TheMovieDB

After receiving a cryptic letter from his estranged father, Norval travels to his dad’s oceanfront home for what he hopes will be a positive experience. If only he’d known the dark truth about his old man beforehand.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

Art Direction:
John O'Regan

Assistant Costume Designer:
Kristen Meerse

Assistant Property Master:
Bethany Skorepa

Associate Producer:
Evan Horan
Max Silva

Boom Operator:
Sam Spicer

Camera Trainee:
Ben Giesbrecht

Casting:
Emma Gunnery
Tiffany Mak

Co-Producer:
Jacqueline Nguyen
Alex Ordanis

Construction Coordinator:
Hal Keown

Construction Foreman:
Christian Snelgrove

Costume Design:
Angela Ganderton

Digital Compositor:
Andrea Micheletto

Director:
Ant Timpson

Director of Photography:
Daniel Katz

Dolly Grip:
Chelsea Barrie

Drone Pilot:
Jason Toth

Editor:
Dan Kircher

Executive Producer:
Ant Timpson
Tim Headington
Hussain Amarshi
Lia Buman
Michelle Craig

First Assistant Camera:
Christian Cummins
Stephan DuVal

First Assistant Director:
Jason Furukawa

Foley Editor:
Brendan Hill

Gaffer:
Bryce Larkin

Graphic Designer:
Adam Medley

Hair Designer:
Leanne Hoare

Idea:
Ant Timpson

In Memory Of:
Tony Timpson
Julie Timpson

Key Grip:
Tony Keddy

Makeup Designer:
Michele Perry

Makeup Effects Designer:
Tibor Farkas

Original Music Composer:
Karl Steven

Post Production Supervisor:
Nicky Spencer

Producer:
Katie Holly
Toby Harvard
Daniel Bekerman
Laura Tunstall
Mette-Marie Kongsved
Emma Slade

Production Coordinator:
Amanda Verhagen
Jessica Wadsworth

Production Design:
Zosia Mackenzie

Production Manager:
Jacqueline Nguyen

Production Sound Mixer:
Chris Hiles

Property Master:
Ryan Milbourne

Script Supervisor:
Monique Knight

Second Assistant Camera:
Bobby Demian
Simon Ho

Second Assistant Director:
Nathan Kay

Set Decoration:
Charlie Whiteway

Set Dresser:
Max Roach
Lana Connors

Sound Designer:
James Hayday

Sound Effects Editor:
Alan Kidd
Gareth Van Niekerk

Sound Mixer:
Chris Hiles

Sound Re-Recording Mixer:
Ben Sinclair

Special Effects Assistant:
Geoff Ingeberg

Special Effects Coordinator:
Brant McIlroy

Stand In:
Noam Zylberman

Steadicam Operator:
Dana Little

Still Photographer:
Nora Morrison

Story:
Toby Harvard

Storyboard Artist:
David Gunson

Stunt Coordinator:
Byron Brisco
Jodi Stecyk

Stunt Double:
Jason Bell
Carlo Fortin
Carl Fortin
Jason Bell

Stunts:
Byron Brisco

Supervising Sound Editor:
Steve Finnigan

Third Assistant Director:
Connor Jensen

Visual Effects:
Darren Nash

Visual Effects Supervisor:
Andy Clarke

Wigmaker:
Brianna Rogers

Writer:
Toby Harvard

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.