The Day of the Owl (1968) [N/A]

Release Date:
February 17, 1968

Original Title:
Il giorno della civetta

Alternate Titles:
Day of the Owl
Der Tag der Eule
Dzien puszczyka
El silencio del diablo
La mafia fait la loi
Mafia
Mint a bagoly nappal
O Dia da Vergonha
The Day of the Owl
Uglens dag
День совы
Денят на кукумявката
Сова появляется днём

Genres:
Crime | Drama

Production Companies:
Corona Cinematografica
Les Films Corona
Panda - Società per l'Industria Cinematografica

Production Countries:
France | Italy

Ratings / Certifications:
DE: 16  HU: 16 

Runtime: 108

What are 'friends' for...? Why, for murder, terror, extortion, violence and other profitable enterprises!

Set in Sicily, this violent crime drama tells the tale of an Italian cop who heads to a small island town to look into the death of a construction supplier. Once there he is shocked by the influence the Mafia has over the people and even himself.

Additional information:

The Search Form


Administration:
Adalberto Spadoni

Assistant Camera:
Giuseppe Lanci
Roberto Forges Davanzati

Assistant Editor:
Rossana Maiuri

Assistant Production Design:
Carlo Ferri

Boom Operator:
Alvaro Orsini

Camera Operator:
Franco Di Giacomo

Conductor:
Bruno Nicolai

Costume Design:
Marilù Carteny

Director:
Damiano Damiani

Director of Photography:
Tonino Delli Colli

Editor:
Nino Baragli

First Assistant Director:
Mino Giarda

Gaffer:
Alberto Ridolfi

Hairstylist:
Elvio Dottori

Key Grip:
Augusto Diamanti

Line Producer:
Piero Donati

Makeup Artist:
Orietta Melaranci

Novel:
Leonardo Sciascia

Original Music Composer:
Giovanni Fusco

Producer:
Ermanno Donati
Luigi Carpentieri

Production Design:
Sergio Canevari

Production Manager:
Alfonso Donati
Lucio Trentini

Production Secretary:
Federico Starace

Screenplay:
Damiano Damiani
Ugo Pirro

Script Supervisor:
Gianni Siragusa

Second Assistant Director:
Gianluigi Calderone

Sound:
Carlo Palmieri

Still Photographer:
Mario Mazzoni

Unit Manager:
Franco Cuccu

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.