A work in constant progress (and occasional regress).
Release Date:
September 23, 1959
Original Title:
I magliari
Alternate Titles:
Profession: magliari
Мошенники
Торговцы
Genres:
Drama
Production Companies:
Société Générale de Cinématographie (S.G.C.)
Titanus
Vides Cinematografica
Production Countries:
France | Italy
Ratings / Certifications:
N/A
Runtime: 111
Mario is in Hannover to work as a miner but after losing his job he decides to go back to Italy. When Totonno steals his passport to avoid the police and later on he offers him a new job as "magliaro" (cloth seller), Mario changes his mind and decides to follow Totonno to Hamburg. In Hamburg, Totonno and his friends have to sell Mayer's cloth, but they meet with the hostility of a Polish gang and Mario falls in love with Paula Mayer.
Administration:
Riccardo Caneva
Assistant Camera:
Osvaldo Massimi
Assistant Production Manager:
Aldo Pomilia
Camera Operator:
Aiace Parolin
Costume Design:
Graziella Urbinati
Director:
Francesco Rosi
Director of Photography:
Gianni Di Venanzo
Editor:
Mario Serandrei
First Assistant Director:
Rinaldo Ricci
Jerzy Macc
Line Producer:
Pietro Notarianni
Makeup Artist:
Jette Arlt
Original Music Composer:
Piero Piccioni
Producer:
Franco Cristaldi
Production Design:
Dieter Bartels
Production Manager:
Orazio Tassara
Gino Millozza
Screenplay:
Giuseppe Patroni Griffi
Suso Cecchi d'Amico
Francesco Rosi
Second Assistant Director:
Roberto Pariante
Sound:
Kurt Doubrowsky
Still Photographer:
G.B. Poletto
Story:
Suso Cecchi d'Amico
Francesco Rosi
Unit Manager:
Lucio Orlandini
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.