Bellini - I Puritani and Arias (2005) [N/A]

Release Date:
October 31, 2005

Original Title:
Bellini - I Puritani and Arias

Production Countries:
Italy

Ratings / Certifications:
 N/A

Runtime: 140

First off this is a live broadcast from 1966, Trieste. The picture is a nice black and white, and sound is in digital and DTS and is good. As for the cast, D'Angelo is very touching as Elvira, she is more of the stand and deliver singer of the old school, but that is not distracking for myself. She is a colortura soprano with a light sound, she was a student of Toti dal Monte and had a span at the MET from 1961 to 1968, where she shared productions with singers like Sutherland, Scotto, and Peters. If you like your belcanto with plenty of high notes (plenty of high d's and e's)you will enjoy her performance. Her mad scene (only slightly cut) is a high point in the performance as are all the scenes she's in. The rest of the cast is good and the Arturo Luciano Saldari sings well minus a high note or two. The main drawback here is the score is cut by over 40 mins. I am guessing that is was the tradition of the time. Overall a nice vintage performance.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.