A work in constant progress (and occasional regress).
Release Date:
February 26, 2020
Original Title:
L'État sauvage
Alternate Titles:
El estado salvaje
리벤저스
Genres:
Western
Production Companies:
Canal+
Ciné+
Metafilms
Mille et une productions
Pyramide Films
UProduction
Production Countries:
Canada | France
Ratings / Certifications:
CA: 18A
Runtime: 116
Saint Charles County, Missouri, December 1863. Edmond, a prosperous French perfume merchant, decides to flee to a safer place when the storms of the American Civil War start knocking at his door, threatening the life and fortune of his family.
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Associate Producer:
Giles Daoust
Gaëtan David
Hejer Anane
Édouard Mauriat
Édouard Lacoste
Catherine Dumonceaux
Anne-Cécile Berthomeau
Benjamin Delaux
André Logie
Boom Operator:
Carlos Mota
Camera Operator:
Jean-Sébastien Caron
Casting:
Martin Rougier
Co-Producer:
Jean-Raymond Garcia
Colorist:
Yov Moor
Costume Designer:
Véronique Gély
Delegated Producer:
Galilé Marion-Gauvin
Director:
David Perrault
Director of Photography:
Christophe Duchange
Editor:
Maxime Pozzi-Garcia
First Assistant Director:
Claude Guillouard
Foley Artist:
Florian Penot
Gaffer:
Michel Bouquerel
Hair Department Head:
Sandrine Masson
Hairstylist:
Cécile Bouillet
Key Grip:
Melody Guitard
Alain Andrieux
Makeup Artist:
Oriane Cattiaux
Makeup Department Head:
Sylvie Ferry
Original Music Composer:
Trevor Anderson
Sébastien Perrault
Post Production Supervisor:
Julien Tremblay
Producer:
Farès Ladjimi
Sylvain Corbeil
Production Design:
Florian Sanson
Production Director:
Guenola Chaussard
Screenplay:
David Perrault
Script Supervisor:
Cannelle Leclainche
Second Assistant Director:
Émilie Watrin
Sound Editor:
Vincent Mauduit
Olivier Ranquet
Sound Engineer:
Régis Boussin
Sound Mixer:
Christophe Leroy
Special Effects:
Olivier Delaveleye
Steadicam Operator:
Jean-Sébastien Caron
Stunt Coordinator:
Stéphane Lefebvre
Visual Effects Supervisor:
Rodrigue Lenain
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.