A work in constant progress (and occasional regress).
Release Date:
February 17, 1995
Original Title:
For the Benefit of Mr. K
Ratings / Certifications:
N/A
Runtime: 1
From the earliest point when I started to make film one of the biggest influence on my way of thinking came from Franz Kafka. In particular the titles ‘Castle One’ and ‘Castle Two’ made symbolic reference to Kafka’s book ‘The Castle’. In this book, like ‘The Trial’ the central fictitious but ‘first-person’ existential character was ‘K’ – clearly in part an oblique but intentional reference to Kafka’s own name. The short video sequence used in ‘For the Benefit of Mr. K’, was shot in the little street in Prague showing the small house in which Kafka wrote ‘The Trial’. The title is also a direct reference to the song by the Beatles. The sound track is a short sequence discovered by my son of the Beatles rehearsing this song in the Abbey Road recording studio.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.