A work in constant progress (and occasional regress).
Release Date:
June 27, 1972
Original Title:
Savage Messiah
Alternate Titles:
Barbár messiás
Divlji Mesija
Divoký Mesiáš
Dziki mesjasz
El Mesías salvaje
Le messie sauvage
Livets galskab
Messia selvaggio
Nuori Messias
O Messias Selvagem
O Rebelde Genial
Otan i floga kaiei
Savage Messiah
Genres:
Drama
Production Companies:
Metro-Goldwyn-Mayer British Studios
Production Countries:
United Kingdom
Ratings / Certifications:
SE: Btl US: R
Runtime: 103
In the Paris of the 1910s, brash young sculptor Henri Gaudier begins a creative partnership with an older writer, Sophie Brzeska. Though the couple is 20 years apart in age, Gaudier finds that his untamed work is complemented by the older woman's cultural refinement. He then moves to London with Brzeska, where he falls in with a group of avant-garde artists. There, Gaudier encounters yet another artistic muse in passionate suffragette Gosh Boyle.
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Art Direction:
George Lack
Assistant Camera:
Eddie Collins
Assistant Director:
Graham Ford
Associate Producer:
Harry Benn
Camera Operator:
Ronnie Taylor
Continuity:
Sue Merry
Costume Design:
Shirley Russell
Director:
Ken Russell
Director of Photography:
Dick Bush
Editor:
Michael Bradsell
Hairstylist:
Betty Glasow
Makeup Artist:
Freddie Williamson
Novel:
H.S. Ede
Original Music Composer:
Michael Garrett
Producer:
Ken Russell
Production Manager:
Neville C. Thompson
Property Master:
George Ball
Set Designer:
Derek Jarman
Set Dresser:
Ian Whittaker
Sound Editor:
Stuart Baird
Sound Mixer:
Doug E. Turner
Sound Recordist:
Robin Gregory
Thanks:
Anthony D'Offay
Wardrobe Supervisor:
Tiny Nicholls
Writer:
Christopher Logue
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.