A work in constant progress (and occasional regress).
Release Date:
November 24, 1977
Original Title:
Gran bollito
Alternate Titles:
La signora degli orrori
Mémoires diaboliques
Sólo Dios sabe la verdad
Genres:
Drama | Horror | Thriller
Production Companies:
Triangolo Film
Production Countries:
Italy
Ratings / Certifications:
IT: VM14
Runtime: 108
A mother so insanely overprotective of her grown son decides to make a deal with death by offering alternate victims plucked from among her fellow tenants in a 1938 Italian apartment building.
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Administration:
Danilo Martelli
Assistant Camera:
Marco Cristiani
Assistant Costume Designer:
Gloria Mussetta
Assistant Editor:
Adelchi Marinangeli
Elvira Tonini
Assistant Makeup Artist:
Renato Francola
Boom Operator:
Gianni Zampagni
Camera Operator:
Nino Cristiani
Daniele Nannuzzi
Alfredo Senzacqua
Costume Design:
Danilo Donati
Director:
Mauro Bolognini
Director of Photography:
Armando Nannuzzi
Editor:
Nino Baragli
First Assistant Director:
Antonio Gabrielli
Gaffer:
Marcello Gabriele
Hair Department Head:
Agnese Panarotto
Hairstylist:
Ennio Cascioli
Giancarlo Marin
Key Grip:
Giulio Diamanti
Line Producer:
Fernando Franchi
Makeup Artist:
Alfredo Tiberi
Makeup Department Head:
Gaspare Carboni
Original Music Composer:
Enzo Jannacci
Producer:
Sandra Riccardi Infascelli
Production Design:
Danilo Donati
Giovanni Natalucci
Production Manager:
Massimo Alberini
Production Secretary:
Rosalba Di Bartolo Tonti
Filippo Campus
Property Master:
Nicola Bucci
Screenplay:
Nicola Badalucco
Script Supervisor:
Anna Katarina Schapringer
Seamstress:
Nefte Riccò
Adriana Mattiozzi
Sound:
Piero Fondi
Special Effects:
Adriano Pischiutta
Still Photographer:
Mario Mazzoni
Story:
Luciano Vincenzoni
Nicola Badalucco
Unit Manager:
Alfredo Di Santo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.