A work in constant progress (and occasional regress).
Release Date:
February 2, 2019
Original Title:
Working Man
Genres:
Drama
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 109
When the last factory in a small Rust Belt town closes its doors, an unlikely hero emerges in dutiful, quiet Allery Parkes. A career employee of the factory, the aging Allery can't reconcile how to live a life simply sitting at home doing nothing. Against the advice and pleas of his loving wife Iola, he forms an unlikely friendship with his charismatic neighbor Walter Brewer in order to revive the defunct factory.
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"B" Camera Operator:
Rob Stern
ADR Recordist:
Ray Quintana
Art Department Assistant:
Kelly McGowan
Associate Producer:
Kevin McGrail
Best Boy Electric:
Zach Alsen
Best Boy Grip:
Stephen Wester
Max Skelton
Alex Halstead
Paul Odrobina
Boom Operator:
Majid Karimian
Camera Intern:
August Doubrawa
Casting:
Catherine Stroud
Lisa London
Costume Design:
Halley Sharp
Craft Service:
Tatiana Matos
Dialogue Editor:
Ray Quintana
Jason Milversted
Joseph R. De Guzman
Digital Imaging Technician:
Luke Zintak
Digital Intermediate Colorist:
Sebastian Perez-Burchard
Digital Intermediate Editor:
Taylor Mahony
Digital Intermediate Producer:
Heather Toll
Alan Pao
Director:
Robert Jury
Director of Photography:
Piero Basso
Editor:
Morgan Halsey
Editorial Consultant:
Richard Halsey
Electrician:
Bear Aldrich
Executive Producer:
Morgan R. Stiff
Lee V. Stiff
Katherine Eslao
Tim Ranzetta
Extras Casting:
Darlene R. Hunt
Extras Casting Coordinator:
Liam C. Miller
First Assistant "A" Camera:
Chris Polmanski
First Assistant "B" Camera:
Jana McClain
Francis Claudio
Jeremy Stark
First Assistant Director:
Anthony E. Cabral
Foley Artist:
Josh Murphy
Joshua Perkins
Vincent Deng
Foley Editor:
Ray Quintana
Foley Mixer:
Ray Quintana
Foley Recordist:
Brahm Patel
Gaffer:
TJ Clounie
Graphic Designer:
Grace Junk
Grip:
Igor Cedeño
Kyle Ruckert
Sean O'Leary
Quinton Worthy
Hair Department Head:
Ashleigh Coartney
Jimmy Jib Operator:
Jim Peterson
Key Grip:
Mike Cho
Key Makeup Artist:
Jessica Monzalvo
Key Set Production Assistant:
Justine Marcantel
Lead Costumer:
Andrea C. Pabon
Line Producer:
Brett Hays
Local Casting:
Mickie Paskal
Jennifer Rudnicke
Location Manager:
Thomas Lounsbury
Alex Hughes
Makeup Department Head:
Ashleigh Coartney
Music Consultant:
Howard Paar
Music Coordinator:
Adam Bennati
Musician:
Ashley Jarmack
Matias Ambrogi-Torres
On Set Dresser:
Camila Devereux
David Ryzner
Original Music Composer:
David Gonzalez
Post Production Supervisor:
Lovell Holder
Producer:
Maya Emelle
Lovell Holder
Clark Peterson
Robert Jury
Production Assistant:
Michael Castillo
Jer'ray Hudgins
John Brady
David Gorman
Matt Brassil
Brett Starkopf
Jacob Grubb
Phil Bogdan
Production Design:
Sarah Sharp
Production Intern:
Gail Gilbert
Patrick Cosgrove
Patrick Hockberger
Production Office Coordinator:
Iman Sharabash
Production Supervisor:
Rob Roediger
Property Master:
Katherine Kelly
Script Supervisor:
Alyssa Alexander
Second Assistant "A" Camera:
Benjamin Morgan
Second Assistant Director:
Stephanie E. Clemons
Second Second Assistant Director:
Andrea Crandall
Set Costumer:
Nathalie Kwok-Lundy
Robin Lee
Kirrah Perkins
Set Decoration:
Suzannah Linnekin
Sound Effects Editor:
Anthony Cabacungan
Brad Whicanack
Terah 'Bishop' Woodley II
Daniel Navajas
Casey Stikker
Sound Mixer:
Dan Machut
Sound Re-Recording Mixer:
Michael J. McDonald
Stand In:
Silvia Schueller
Jatone Smith
Scott Lucas
Steadicam Operator:
Dae Hyun Kim
Still Photographer:
Adrian Burrows
Supervising Sound Editor:
Michael J. McDonald
Swing:
Charles Nankivel
Transportation Captain:
Bret Gogoel
Transportation Coordinator:
Ryan Jackson
Unit Production Manager:
Brett Hays
Visual Effects Compositor:
Xuncheng Chen
Visual Effects Producer:
Shirley Luong
Heather Toll
Writer:
Robert Jury
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.