Working Man (2019) [N/A]

Release Date:
February 2, 2019

Original Title:
Working Man

Genres:
Drama

Production Countries:
United States of America

Ratings / Certifications:
 N/A

Runtime: 109

When the job ends, the real work begins.

When the last factory in a small Rust Belt town closes its doors, an unlikely hero emerges in dutiful, quiet Allery Parkes. A career employee of the factory, the aging Allery can't reconcile how to live a life simply sitting at home doing nothing. Against the advice and pleas of his loving wife Iola, he forms an unlikely friendship with his charismatic neighbor Walter Brewer in order to revive the defunct factory.

Additional information:

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"B" Camera Operator:
Rob Stern

ADR Recordist:
Ray Quintana

Art Department Assistant:
Kelly McGowan

Associate Producer:
Kevin McGrail

Best Boy Electric:
Zach Alsen

Best Boy Grip:
Max Skelton
Stephen Wester
Alex Halstead
Paul Odrobina

Boom Operator:
Majid Karimian

Camera Intern:
August Doubrawa

Casting:
Catherine Stroud
Lisa London

Costume Design:
Halley Sharp

Craft Service:
Tatiana Matos

Dialogue Editor:
Ray Quintana
Joseph R. De Guzman
Jason Milversted

Digital Imaging Technician:
Luke Zintak

Digital Intermediate Colorist:
Sebastian Perez-Burchard

Digital Intermediate Editor:
Taylor Mahony

Digital Intermediate Producer:
Heather Toll
Alan Pao

Director:
Robert Jury

Director of Photography:
Piero Basso

Editor:
Morgan Halsey

Editorial Consultant:
Richard Halsey

Electrician:
Bear Aldrich

Executive Producer:
Lee V. Stiff
Morgan R. Stiff
Katherine Eslao
Tim Ranzetta

Extras Casting:
Darlene R. Hunt

Extras Casting Coordinator:
Liam C. Miller

First Assistant "A" Camera:
Chris Polmanski

First Assistant "B" Camera:
Francis Claudio
Jeremy Stark
Jana McClain

First Assistant Director:
Anthony E. Cabral

Foley Artist:
Joshua Perkins
Vincent Deng
Josh Murphy

Foley Editor:
Ray Quintana

Foley Mixer:
Ray Quintana

Foley Recordist:
Brahm Patel

Gaffer:
TJ Clounie

Graphic Designer:
Grace Junk

Grip:
Igor Cedeño
Sean O'Leary
Kyle Ruckert
Quinton Worthy

Hair Department Head:
Ashleigh Coartney

Jimmy Jib Operator:
Jim Peterson

Key Grip:
Mike Cho

Key Makeup Artist:
Jessica Monzalvo

Key Set Production Assistant:
Justine Marcantel

Lead Costumer:
Andrea C. Pabon

Line Producer:
Brett Hays

Local Casting:
Jennifer Rudnicke
Mickie Paskal

Location Manager:
Thomas Lounsbury
Alex Hughes

Makeup Department Head:
Ashleigh Coartney

Music Consultant:
Howard Paar

Music Coordinator:
Adam Bennati

Musician:
Ashley Jarmack
Matias Ambrogi-Torres

On Set Dresser:
David Ryzner
Camila Devereux

Original Music Composer:
David Gonzalez

Post Production Supervisor:
Lovell Holder

Producer:
Clark Peterson
Robert Jury
Maya Emelle
Lovell Holder

Production Assistant:
Phil Bogdan
Jer'ray Hudgins
Michael Castillo
John Brady
Jacob Grubb
David Gorman
Matt Brassil
Brett Starkopf

Production Design:
Sarah Sharp

Production Intern:
Patrick Cosgrove
Patrick Hockberger
Gail Gilbert

Production Office Coordinator:
Iman Sharabash

Production Supervisor:
Rob Roediger

Property Master:
Katherine Kelly

Script Supervisor:
Alyssa Alexander

Second Assistant "A" Camera:
Benjamin Morgan

Second Assistant Director:
Stephanie E. Clemons

Second Second Assistant Director:
Andrea Crandall

Set Costumer:
Robin Lee
Kirrah Perkins
Nathalie Kwok-Lundy

Set Decoration:
Suzannah Linnekin

Sound Effects Editor:
Brad Whicanack
Terah 'Bishop' Woodley II
Anthony Cabacungan
Daniel Navajas
Casey Stikker

Sound Mixer:
Dan Machut

Sound Re-Recording Mixer:
Michael J. McDonald

Stand In:
Scott Lucas
Jatone Smith
Silvia Schueller

Steadicam Operator:
Dae Hyun Kim

Still Photographer:
Adrian Burrows

Supervising Sound Editor:
Michael J. McDonald

Swing:
Charles Nankivel

Transportation Captain:
Bret Gogoel

Transportation Coordinator:
Ryan Jackson

Unit Production Manager:
Brett Hays

Visual Effects Compositor:
Xuncheng Chen

Visual Effects Producer:
Shirley Luong
Heather Toll

Writer:
Robert Jury

About the Movie Section

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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