A work in constant progress (and occasional regress).
Release Date:
March 12, 2019
Original Title:
I Am Richard Pryor
Genres:
Documentary
Production Companies:
Network Entertainment
Tarnished Angel
Production Countries:
Canada | United States of America
Ratings / Certifications:
US: NR
Runtime: 92
The life story of Richard Pryor (1940-2005), the legendary performer and iconic social satirist who transcended racial and social barriers with his honest, irreverent and biting humor.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Additional Photography:
Ian Kerr
Philip Lanyon
Archival Footage Coordinator:
Bianca Cervantes
Art Direction:
Derik Murray
Associate Producer:
Gemma Strongman
Camera Operator:
Scot Proudfoot
Colorist:
James Chase
Consulting Producer:
Eric Maran
Dialogue Editor:
Brayden McCluskey
Director:
Jesse James Miller
Director of Photography:
Shaun Lawless
Editor:
Graham Kew
Executive Producer:
Derik Murray
Paul Gertz
Kent Wingerak
Kevin Kay
Jon Slusser
Jaimee Kosanke
Jennifer Lee Pryor
Frank Anderson
Steve Kotlowitz
Greg Zeschuk
Peter Scarth
Jhod Cardinal
David Reeder
Robert Pirooz
Graphic Designer:
Ross Whelan
Line Producer:
Joe Tuck
Carmen Kerr
Online Editor:
James Chase
Original Music Composer:
Schaun Tozer
Photo Retouching:
Howard Nirenberg
Sandro Desaulniers
Post Production Supervisor:
Jadene Stojak Babcock
Producer:
Derik Murray
Production Coordinator:
Tanner Zurkoski
Production Manager:
Bob Christie
Researcher:
Krystal Sahabi
Matthew van Deventer
Jesse Barnett
Ian Craig Walker
Sound Designer:
Chris McIntosh
Aaron Tchir
Sound Re-Recording Mixer:
Chris McIntosh
Story Developer:
Ian Craig Walker
Supervising Producer:
John Barbisan
Thanks:
Lily Tomlin
Writer:
Jesse James Miller
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.