The Kiss (1988) [R]

Release Date:
October 14, 1988

Original Title:
The Kiss

Alternate Titles:
Le Baiser
O Beijo Mortal
Το Φιλί που Σκοτώνει

Genres:
Drama | Fantasy | Horror | Thriller

Production Companies:
TriStar Pictures
Trilogy Entertainment Group

Production Countries:
Canada | United States of America

Ratings / Certifications:
GB: 18  US: R 

Runtime: 101

Don't do it with your eyes closed.

After the death of her mother, a teenage girl is faced with bizarre supernatural occurrences when her mother's estranged sister arrives and begins to infiltrate her and her father's lives.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

ADR Editor:
Penny Hozy

Additional Camera:
Serge Ladouceur
Georges Archambault

Art Department Coordinator:
Lise Pharand

Art Direction:
Suzanna Smith

Assistant Costume Designer:
Sylvie Clément

Assistant Editor:
Matthew Ennis

Assistant Sound Editor:
Bruno DeGazio
Alison Fisher
Thor Henrikson

Best Boy Electric:
Jacques Gauthier

Best Boy Grip:
Robert Auclair

Boom Operator:
Eric Zimmer

Camera Operator:
Bert Tougas

Camera Trainee:
Pierre Jodoin

Carpenter:
Raymond Brouillard

Casting:
Pennie DuPont
Rosina Bucci

Construction Manager:
Guy Plourde

Costume Design:
Renée April

Craft Service:
Suzan Morin
Susan Bradford

Dialogue Editor:
Alison Grace
Neil Grieve

Director:
Pen Densham

Director of Photography:
François Protat

Editor:
Stan Cole

Executive Producer:
Richard Barton Lewis

First Assistant Camera:
Luc Lussier
Jean-Marc Casavant

First Assistant Director:
Henry J. Bronchtein

First Assistant Editor:
Mark Lemmon
Peter Riley

First Assistant Hairstylist:
Deanna Mathewson

First Assistant Makeup Artist:
Nicole Lapierre

Foley Artist:
Andy Malcolm

Foley Recordist:
Jack Heeren

Gaffer:
Gilles Mayer

Generator Operator:
Yves Paquette
Yves Ouimet

Grip:
Jan-Mark Lapointe
Daniel Prévost
Michel St. Pierre

Hairstylist:
Benjamin Robin

Key Grip:
John Daoust

Line Producer:
Wendy Grean

Location Manager:
Michel Chauvin

Makeup Department Head:
Louise Mignault

Music Editor:
Peter Riley
John Elizalde

Orchestrator:
Bradford Ellis

Original Music Composer:
J. Peter Robinson

Producer:
Pen Densham
John Watson

Production Accountant:
Réjane Boudreau

Production Coordinator:
Lynn Mallay

Production Design:
Roy Forge Smith

Production Manager:
Wendy Grean

Production Secretary:
Leslie Grierson

Property Master:
Jean Kazemirchuk

Scenic Artist:
Tristan Tondino

Script Supervisor:
Marie Théberge
Suzanne Chiasson

Second Assistant Camera:
Eric Moynier

Second Assistant Director:
Pierre Houle

Second Unit Director:
Steve M. Davison

Second Unit Director of Photography:
Jean-Charles Tremblay

Set Decoration:
Gilles Aird

Set Dresser:
Philippe Chevalier
Suzanne Labrecque
Claude Jacques
Réal Proulx

Sound Editor:
Peter Thillaye
Michael O'Farrell
Alan Geldart

Sound Re-Recording Mixer:
Austin Grimaldi
Dino Pigat
Keith Elliott

Sound Recordist:
Don Cohen

Special Effects Supervisor:
Louis Craig

Steadicam Operator:
Julian Chojnacki

Still Photographer:
Attila Dory
Jonathan Wenk

Stunt Coordinator:
Steve M. Davison

Stunts:
Alison Reid
Peter Cox
Marc Désourdy
Stéphane Lefebvre
Christine MacMahon
David McKeown
Jennifer McKeown
Leslie Munro
Michael Scherer
Dawn Stofer-Rupp
Jérôme Tiberghien
John Walsh
Hisham Zayed
Brenda Adams
Pat Romano

Third Assistant Director:
Ricky Friedman

Transportation Coordinator:
Jim Disensi

Underwater Camera:
Georges Archambault

Unit Manager:
Michel Chauvin

Wardrobe Assistant:
Mario Davignon

Wardrobe Master:
Pierre Perrault

Writer:
Tom Ropelewski
Stephen Volk

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.