A work in constant progress (and occasional regress).
Release Date:
November 13, 2019
Original Title:
Mickey and the Bear
Genres:
Drama
Production Companies:
Shorelight Pictures
Thick Media
Production Countries:
United States of America
Ratings / Certifications:
IE: 15 US: R
Runtime: 90
In Anaconda, Montana, a strong-willed teenage girl navigates a loving but volatile relationship with her veteran father. In a desperate search for independence and her own identity, she risks family, heartbreak, and her standing in the only place she can call home.
ADR Mixer:
Hunter Berk
Rob Searl
ADR Recordist:
Jeremiah Slovarp
Additional Editing:
Matt Morgan
Art Department Assistant:
Anna Sagotov
Nicole Johnson
Art Direction:
Tessla Hastings
Assistant Location Manager:
Damon J. Taylor
Best Boy Electric:
Eric Mosley
Best Boy Grip:
Ethan Confer
Boom Operator:
David Rivers
Casting:
Avy Kaufman
Co-Producer:
Jeri Rafter
Gus Deardoff
Colorist:
Ryan Berger
Costume Designer:
Lucy Hawkins
Digital Imaging Technician:
Dillon Jenkins
Director:
Annabelle Attanasio
Director of Photography:
Conor Murphy
Dolly Grip:
Michael Jezak
Editor:
Henry Hayes
Executive Producer:
George Brock
Finishing Producer:
Samuel Gursky
First Assistant Camera:
Christie Leitzell
First Assistant Director:
Jeri Rafter
Damon J. Taylor
Foley Artist:
Leslie Bloome
Joanna Fang
Foley Editor:
Laura Heinzinger
Nick Seaman
Foley Mixer:
Ryan Collison
Gaffer:
Callum Shaw
Hair Department Head:
Libby Rose
Key Costumer:
Kersten Haff
Key Grip:
Michael Jezak
Local Casting:
Jesy Rae Buhl
Abby Harri
Location Assistant:
Tom Stanford
Location Manager:
Neil Buckley
Main Title Designer:
Charles Christopher Rubino
Makeup & Hair Assistant:
Melanie Licata
Makeup Department Head:
Libby Rose
Music Supervisor:
Chloe Raynes
Musician:
Brian McOmber
Angel Deradoorian
Matt Wellins
Original Music Composer:
Brian McOmber
Angel Deradoorian
Producer:
Anja Murmann
Lizzie Shapiro
Sabine Schenk
Taylor Shung
Production Accountant:
Elizabeth Reeve
Production Assistant:
Tara Donnelly
Clara DeWeese
Tony Kleomenes
Mackenzie Coe
Ruby Rose
Harrison Gayton
Brian Mellot
Seth Schults
Production Design:
Katie Fleming
Production Manager:
Nancy Ann Norton
Production Supervisor:
Mackenzie Berkman
Property Master:
Annie Brandt
Publicist:
Adam Kersh
Guillermo Restrepo
Script Supervisor:
Gaaby Patterson
Second Assistant Camera:
Taylor Lennox
Second Assistant Director:
Jessica Moore
Second Second Assistant Director:
Dan Molloy
Set Decoration:
Lauren Norby
Set Medic:
Neil Buckley
Sound Effects Editor:
Chris Chae
Tyler Newhouse
Sound Mixer:
Alan Kudan
Sound Re-Recording Mixer:
Hunter Berk
Sound Supervisor:
Hunter Berk
Still Photographer:
Ezra Olson
Jacqueline Harriet
Stunt Coordinator:
Cooper Taylor
Stunt Double:
Adam Hart
Chad Bennett
Stunts:
Brian Duffy
Tim Sitarz
Systems Administrators & Support:
Lyle Zanca
Writer:
Annabelle Attanasio
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.