A work in constant progress (and occasional regress).
Release Date:
November 27, 2020
Original Title:
콜
Alternate Titles:
A Ligação
Apelul
Call
Cuộc Gọi
El teléfono
Hívás a múltból
Kol
L'Appel
Poziv iz prošlosti
Telefon
Telefón
The Call
Το τηλέφωνο
Το τηλεφώνημα
Звонок из прошлого
المكالمة
สายตรงต่ออดีต
ザ・コール:2020
声命线索
聲命線索
超时空通话
Genres:
Mystery | Science Fiction | Thriller
Production Companies:
Next Entertainment World
Yong Film
Production Countries:
South Korea
Ratings / Certifications:
AU: MA 15+ BR: 16 CA: 18A DE: 16 ES: 16 FR: 16 GB: 15 ID: 17+ IE: 15 IL: 16 IN: U/A 16+ IT: 14+ JP: R15+ KR: 15 NL: 16 NO: 15 PH: R-16 PL: 16 SE: 15 SG: M18 TH: 15 TR: 16+ US: NR
Runtime: 112
Connected by phone in the same home but 20 years apart, a serial killer puts another woman’s past — and life — on the line to change her own fate.
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Adaptation:
Kim Hee-jin
Colorist:
Vanessa Taylor
Costume Design:
An Ji-hyeon
Costumer:
Heo Jin
Shin Soo-bin
Yoon Na-yeon
Director:
Lee Chung-hyun
Director of Photography:
Cho Young-jik
Editor:
Yang Jin-mo
Executive Producer:
Syd Lim
Kim Woo-taek
Jay Lee
Key Grip:
Lee Joong-wan
Lighting Director:
Jung Hae-ji
Line Producer:
Jang Eun-young
Makeup & Hair:
Park Ye-ri
Original Music Composer:
Dalpalan
Original Story:
Sergio Casci
Producer:
Jeong Hui-sun
Production Design:
Bae Jung-yoon
Production Sound Mixer:
Ahn Bok-nam
Props:
Oh Jin-seok
Set Decoration:
Song Suk-ki
Sound Effects:
Yoo Seok-won
Sound Supervisor:
Park Yong-gi
Special Effects Makeup Artist:
Hwang Hyo-kyun
Kwak Tae-yong
Special Effects Supervisor:
Hong Jang-pyo
Writer:
Kang Sun-ju
Lee Chung-hyun
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
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