A work in constant progress (and occasional regress).
Release Date:
December 12, 1972
Original Title:
La Scoumoune
Alternate Titles:
Hit Man
Réquiem para un homicida
Genres:
Crime | Drama | Mystery
Production Companies:
Lira Films
Praesidens (IT)
Production Countries:
France | Italy
Ratings / Certifications:
JP: R18+
Runtime: 102
For more than 15 years, two Marseille friends and criminals battle the law, rival gangs, prison authorities and even mined beaches in order to survive.
Administration:
Nicole Cateux
Assistant Director:
Bernard Mazauric
Assistant Editor:
Isabel García de Herreros
Associate Producer:
Luciano Levy
Alfred Levy
Author:
José Giovanni
Camera Operator:
Philippe Brun
Costume Designer:
Jacqueline Moreau
Costume Mistress:
Jacqueline Moreau
Director:
José Giovanni
Director of Photography:
Andréas Winding
Dresser:
Paulette Breil
André Ramoin
Denise Vuillaume
Editor:
Françoise Javet
Editorial Manager:
René Chateau
Executive Producer:
Raymond Danon
First Assistant Camera:
Jean Harnois
First Assistant Director:
Philippe Lefebvre
General Manager:
René Brun
Gille Schneider
Tonio Suné
Head Decorator:
Jean-Jacques Caziot
Location Manager:
Jean-Pierre Nossereau
Makeup Artist:
Chantal Godaert
René Daudin
Denise Daudin
Makeup Department Head:
Charly Koubesserian
Novel:
José Giovanni
Original Music Composer:
François de Roubaix
Producer:
Ralph Baum
Production Assistant:
Pierre Darçay
Production Director:
Ludmilla Goulan
Production Secretary:
Germaine Torta
Script:
Lucile Costa
Second Assistant Camera:
Alain Pillet
Second Assistant Director:
Georges Glon
Set Decoration:
Philippe Turlure
Set Photographer:
Yves Mirkine
Sound Engineer:
René-Christian Forget
Writer:
José Giovanni
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.