Wengi Anak Mayit (2018) [N/A]

Release Date:
November 16, 2018

Original Title:
Wengi Anak Mayit

Genres:
Horror

Production Companies:
Prized Productions

Production Countries:
Indonesia

Ratings / Certifications:
 N/A

Runtime: 76

It all started from the house inherited from Dewi's parents. Dewi took her only child, Bella, and left her husband, Alex. Unexpectedly, the relic house is filled with mysteries that totally change the lives of Dewi and Bella. Horror, terror, screams and cries filled their lives from that moment on.

Additional information:

The Search Form


ADR Recording Engineer:
Edward Fernandez

Action Director:
Edi Manopo

Art Direction:
Koesnadi WS Rogojampi

Assistant Art Director:
Rusli Anda

Assistant Director:
Fadly Thom

Assistant Editor:
Kampra Trasher

Assistant Sound Engineer:
Tito Simon
Audrey Salsabilla
Claudia Jaramillo

Audio Post Coordinator:
Leonardo Cahyo

Business Affairs Coordinator:
Aditya Cahaya
Epi Luwuk

Colorist:
Handoyo Susetio

Costume Designer:
Neni Herlina

Dailies Technician:
Hendri Tatto

Digital Imaging Technician:
Arul Sahrullah

Director:
Nayato Fio Nuala

Director of Photography:
Freddy A. Lingga

Editor:
Tiara Puspa Rani

Executive In Charge Of Post Production:
Stephan Surja

Executive Producer:
Dwi Ajeng Asmarandhany
Santi Muzhar

Foley Artist:
Ibam Adam

Head of Production:
Suciawati

Line Producer:
Siti Sumadi

Makeup & Hair:
Bella Burichak

Makeup Artist:
Winy

Music Director:
Hudi Arianto
Jefta Mikola

Music Supervisor:
Edward Fernandez

Online Editor:
Rio Rizaldy
Andhika Anggakara

Original Music Composer:
Audrey Salsabilla

Post Producer:
Dewi Mimit
Teddy Herlani

Producer:
Andi Arsyil Rahman
Santi Muzhar

Rotoscoping Artist:
Patong Parwanto

Sound Designer:
Jones Roma
Ibam Adam

Sound Effects Editor:
Ibam Adam

Sound Re-Recording Mixer:
Jones Roma

Sound Recordist:
Sandy Bogor

Still Photographer:
Keyza Attalla

Supervising Producer:
Adrian Nugraha

Unit Production Manager:
Ardy Setiawan

VFX Artist:
Farid Darmawan

Writer:
Aviv Elham

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.