A work in constant progress (and occasional regress).
Release Date:
February 20, 2020
Original Title:
En helt almindelig familie
Alternate Titles:
Eine total normale Familie
Una familia perfectamente normal
完美普通家庭
Genres:
Drama
Production Companies:
Nordisk Film Denmark
Orange Valley Production
Production Countries:
Denmark
Ratings / Certifications:
DK: 7 FR: U IE: G JP: PG12 NL: AL SE: 11
Runtime: 93
Emma has a perfectly normal family until one day it turns out her dad, Thomas, is transgender. As Thomas becomes Agnete, both father and daughter struggle to hold on to what they had while accepting that everything has changed.
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Boom Operator:
Lars Gerrild
Casting:
Anja Philip
Co-Writer:
Rune Schjøtt
Maren Louise Käehne
Costumer:
Mads Nikolaj Elley Jacobsen
Digital Compositor:
Dann Damgaard Sandgreen
Director:
Malou Reymann
Director of Photography:
Sverre Sørdal
Editor:
Ida Bregninge
Executive Producer:
Henrik Zein
First Assistant Camera:
Ivan Molina Carmona
First Assistant Director:
Anders Barlebo
Foley Artist:
Torben Greve
Gaffer:
Jacob Østergaard
Graphic Designer:
Lasse Strøm
Key Costumer:
Camilla Nordbjerg
Key Makeup Artist:
Henrik Steen
Line Producer:
Christel C.D. Karlsen
Location Manager:
Henrik Arnrød
Location Scout:
Søren Dahl
Makeup Artist:
Bettina Züberlein
Music Supervisor:
August Rosenbaum
Online Editor:
Kristian Hansen
Producer:
Rene Ezra
Matilda Appelin
Producer's Assistant:
Maria Fogt Rasmussen
Production Coordinator:
Nina Tipsmark
Production Design:
Kristina Kovacs
Sabine Hviid
Props:
Thomas Willemoes
Script Supervisor:
Karina Skovgaard
Second Assistant Camera:
Mark Newman
Second Assistant Director:
Laura Emilie Hancock
Set Designer:
Silja Cohn Jeppesen
Sound Designer:
Hans Christian Arnt Torp
Thomas Arent
Sound Re-Recording Mixer:
Thomas Arent
Hans Christian Arnt Torp
Sound Recordist:
Thomas Arent
Special Effects Makeup Artist:
Thomas Foldberg
Still Photographer:
Jonas Jacob Svensson
Stunt Coordinator:
Martin Kallesøe
Anne Rasmussen
Visual Effects Coordinator:
Katharina Bormann
Visual Effects Supervisor:
Martin Madsen
Writer:
Malou Reymann
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.