A work in constant progress (and occasional regress).
Release Date:
December 20, 1991
Original Title:
Pensavo fosse amore... invece era un calesse
Alternate Titles:
I Thought It Was Love
Pensavo fosse amore invece era un calesse
Genres:
Comedy
Production Companies:
Cecchi Gori Group Tiger Cinematografica
Esterno Mediterraneo Film
F.P. Cinematografica
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 103
Tommaso goes incredible lengths to win back the love of his former girlfriend Cecilia, but sometimes things change in the most unexpected way.
Accountant:
Paolo Torri
Administration:
Anna Cenciarelli
Assistant Costume Designer:
Isabella Rizza
Assistant Editor:
Ilaria De Laurentiis
Christopher Roche
Assistant Production Design:
Nicola Salerno
Assistant Sound Editor:
Anna Maria Bussi
Boom Operator:
Ettore Mancini
Camera Operator:
Roberto Brega
Casting:
Rita Forzano
Costume Design:
Christiana Lafayette
Director:
Massimo Troisi
Director of Photography:
Camillo Bazzoni
Editor:
Angelo Nicolini
First Assistant Camera:
Fabrizio Papale
First Assistant Director:
Miro Viglianesi
Foley Artist:
Aldo Ciorba
Ezio Marcorin
Hairstylist:
Maria Rizzo
Line Producer:
Alberto Passone
Makeup Artist:
Alfredo Marazzi
Simone Marazzi
Original Music Composer:
Pino Daniele
Producer:
Gaetano Daniele
Mario Cecchi Gori
Vittorio Cecchi Gori
Production Design:
Francesco Frigeri
Production Manager:
Vincenzo Testa
Production Secretary:
Federico Foti
Gianluca Passone
Property Master:
Riccardo Passanisi
Screenplay:
Massimo Troisi
Anna Pavignano
Script Supervisor:
Elide Cortesi
Seamstress:
Gabriella Morganti
Alberta Ceccarelli
Giuseppina Minguzzi
Second Assistant Camera:
Giovanni Angeloni
Set Decoration:
Atos Mastrogirolamo
Sound:
Tommaso Quattrini
Sound Editor:
Giancarlo Carotenuto
Sound Mixer:
Romano Pampaloni
Still Photographer:
Mario Tursi
Story:
Massimo Troisi
Anna Pavignano
Underwater Camera:
Mario Bagnato
Unit Manager:
Raffaele Veneruso
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.