A work in constant progress (and occasional regress).
Release Date:
February 15, 2019
Original Title:
Répertoire des villes disparues
Alternate Titles:
Spoku pilsētas antoloģija
Vaiduokliu miestelio antologija
Genres:
Drama | Mystery
Production Companies:
Couzin Films
Production Countries:
Canada
Ratings / Certifications:
BR: 12
Runtime: 97
It is a small village somewhere in Quebec with only 215 inhabitants. When young Simon Dubé dies in a car accident, the villagers’ tranquil and regulated existence is thrown out of step. People are decidedly reluctant to talk about the accident. Time seems to lose all meaning. Snowy, frosty winter days stretch out into infinity. Mysterious figures emerge from the fog and commit strange acts. But what seems strange is sometimes more familiar than one might suspect.
Colorist:
Julien Alix
Costume Design:
Caroline Bodson
Dialogue Editor:
Stan Sakellaropoulos
Director:
Denis Côté
Director of Photography:
François Messier-Rheault
Editor:
Nicolas Roy
First Assistant Director:
Catherine Kirouac
Gaffer:
Alexis Vallée-Charest
Makeup Artist:
Dominique T. Hasbani
Novel:
Laurence Olivier
Post Production Supervisor:
Julien Tremblay
Producer:
Ziad Touma
Production Design:
Marie-Pier Fortier
Production Manager:
Yanick Savard
Property Master:
Alexandre Vincent
Script Supervisor:
Marjorie Hamel
Second Assistant Director:
Morgane Pinel
Sound:
Yann Cleary
Sound Designer:
Frédéric Cloutier
Sound Effects Editor:
Mathieu Beaudin
François B. Senneville
Special Props:
Erik Gosselin
Stunt Coordinator:
Jean-François Lachapelle
Supervising Sound Editor:
Frédéric Cloutier
Third Assistant Director:
Gabrielle Mankiewicz
Unit Manager:
Philippe Montel
Writer:
Denis Côté
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.