A work in constant progress (and occasional regress).
Release Date:
February 4, 1991
Original Title:
The Marla Hanson Story
Alternate Titles:
Face Value
Genres:
Drama | TV Movie
Ratings / Certifications:
N/A
Runtime: 91
Story of the model who was assaulted that left her face disfigured. It begins when she comes to New York City and would get work as a model. A guy she met on one of her shoots gets her an apartment in a building he manages. He is constantly hitting on her but she rebuffs him. When he can't take it anymore he sends two men to attack her.
Additional Casting:
Jeri Mata-Erickson
Joy Todd
Best Boy Grip:
Wes Houle
Boom Operator:
Rebecca Revak
Casting:
Judith Holstra
Cinematography:
John M. Stephens
Costume Design:
Kathleen Detoro
Costumer:
Antoinette Squeo
Director:
John Gray
Editor:
Robert Florio
Electrician:
David R. Kohn
Eric Thomas
Executive Producer:
David R. Ginsburg
First Assistant Director:
James Maniolas
Location Manager:
Mark C. Hughes
Michael P. Petrone
Makeup Department Head:
Allan A. Apone
Music:
Mark Snow
Musician:
Charles Simons
Painter:
Marc Rosenblatt
Producer:
Steven R. McGlothen
Production Assistant:
Patrick Michael Ryan
Production Coordinator:
Stacy M. King
Terry Ladin
Production Design:
Kandy Stern
Production Sound Mixer:
John McCormick
Glenn Micallef
Property Master:
John Pearson-Denning
Eric Stepper
Script Supervisor:
Deirdre Horgan
Heidi Sturdevant
Second Assistant Camera:
Larry Nielsen
Second Assistant Director:
Chitra F. Mojtabai
Set Decoration:
Sean Kennedy
Set Designer:
Chris Patton
Still Photographer:
Nancy Howard-Gray
Story:
John Gray
Peter Dion
Stunt Coordinator:
Peter Hock
Supervising Producer:
Tom Patricia
Supervising Sound Editor:
Burton Weinstein
Teleplay:
John Gray
Transportation Coordinator:
Robert Eckholt
Joseph Fanning
Unit Production Manager:
Steven R. McGlothen
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.