A work in constant progress (and occasional regress).
Release Date:
April 5, 2018
Original Title:
Living room of the future (FACT edition)
Production Companies:
BBC
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 15
The AHRC funded Objects of Immersion created the Living Room of the Future (LROTF) to highlight the future potential of Object Based Media (OBM). OBM allows programme content to change according to unique interactions with audiences. The ‘objects’ in OBM refer to the different assets within a given programme. These include large objects like audio and video used to construct a scene in a drama, and small objects, like an individual frame of video, a caption, or a signer. By breaking down a piece of media into separate objects, attaching meaning to each object, and describing how they can be semantically rearranged, a programme can change to reflect an individual viewer’s unique context.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Associate Producer:
Dr Davy Smith
Cinematography:
Pavel Prokopic
Aleksandar Kotevski
Co-Producer:
Roger McKinley
Ilija Tiricovski
Pavel Prokopic
Tom Rowlands
Colorist:
Antonio La Torre
Creative Producer:
Ilija Tiricovski
Director:
Filip Jovanovski
Pavel Prokopic
Drone Operator:
Stojanche Cavirovski
Editor:
Pavel Prokopic
Executive Producer:
Ian Forrester
Prof. Paul Coulton
Prof. Andy Crabtree
Music:
Jack Foran
Jan Šikl ml.
Production Coordinator:
Lianne Kerlin
Researcher:
Neelima Sailaja
Software Engineer:
Dr James Colley
Adrian Gradinar
Sound Designer:
Rob Szeliga
Writer:
Pavel Prokopic
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.