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Backstage Action (2018) [N/A]

Release Date:
October 27, 2018

Original Title:
Faites sortir les figurants

Genres:
Documentary

Production Companies:
CBA
Iota Production

Production Countries:
Belgium

Ratings / Certifications:
 N/A

Runtime: 61

Overview from TheMovieDB

This is de facto a film about a film, with the only difference being that the focus is exclusively on the extras. They are filmed while waiting to take their turn, while conversing with others, and thinking about their performances. Although they take their duties very seriously and long to be stars, for the filmmakers, they’re just people that can be coordinated as necessary, nothing more. This film, on the contrary, gives them full consideration, revealing their personalities, what they experience, and what they dream of. The footage comes from many different places where movies are made, involving extras from all different nationalities.

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Additional information:

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Production

Camera Operator:
Johan Legraie
Pierre Choqueux
Vincent Pinckaers
Arthur Castro Freire

Director:
Sanaz Azari

Editor:
Annick Ghijzelings
Simon Arazi

Music:
Pierre Dozin
Frédéric Becker

Sound:
Fred Meert
Fabrice Osinski
Zied Mokaddem
Cosmas Antoniadis
Nicolas Dennefeld
Bruno Schweisguth
Vincent Nouaille

Sound Editor:
Pierre Dozin

Sound Mixer:
Pierre Dozin

Writer:
Sanaz Azari

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.