A work in constant progress (and occasional regress).
Featuring:
Colette Darfeuil, Pierre Renoir, Jean Martinelli
Written by:
Raymond Leboursier
Directed by:
Raymond Leboursier
Release Date:
February 22, 1950
Original Title:
Menace de mort
Alternate Titles:
Death Threat
Genres:
Comedy | Crime | Drama
Production Companies:
SPIC (FR)
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 92
André Garnier, a young pianist, who was sent to deportation following a denunciation, absolutely wants to find his informer. He falls in love with Hélène, the mistress of a wealthy industrialist, Bernier, in whom he soon discovers the man who once sold him to the Gestapo. Bernier is soon found murdered. André deflects suspicion on Jacques, the victim's secretary. Hélène and André's affair ends up being discovered by the police, who seem to see in it the motive for the crime. André surrenders to justice.
"Menace de mort" is directed by Raymond Leboursier, an occasional director (only 8 movies) and writer, with no masterpieces in his filmography. This one is a kind of film noir. The major problem is the love story, quite far fetched and played by Colette Darfeuil and Jean Martinelli, completely dull and wooden, in fact, I do not see one scene where they're in love. Maybe it was the director's intention to be so wrongly dark, because the rest of the casting is as we can expect : a boozy Pierre Renoir, the smart concierge Pierre Larquey, and the real interest of this movie, the fallen inspector Dalio who plays delightfully a kinda of nasty Columbo tracking Jean Martinelli. He's really exceptional. Oh, and just enjoy the very last shot, so "unique".
Art Direction:
Roland Quignon
Director:
Raymond Leboursier
Director of Photography:
Georges Million
Editor:
Madeleine Bonin
Original Music Composer:
Charly Bailly
André Varel
Producer:
Yves Mounier
Production Manager:
René Bianco
Sound:
Maurice Vareille
Writer:
Raymond Leboursier
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.