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Sibyl (2019) [R|NR]

Release Date:
May 24, 2019

Original Title:
Sibyl

Alternate Titles:
El reflex de Sibyl
寂寞诊疗室

Genres:
Drama

Production Companies:
Auvergne-Rhône-Alpes Cinéma
France 2 Cinéma
Les Films Pelléas
Les Films de Pierre
Page 114
SCOPE Pictures

Production Countries:
Belgium | France

Ratings / Certifications:
BR: 16  CA: R  CH: 16  DE: 12  ES: 16  FR: TP  HU: 16  JP: R18+  KR: 18  PT: M/16  RU: 18+  US: R|NR 

Runtime: 100

Overview from TheMovieDB

Sibyl, a jaded psychotherapist, returns to her first passion: writing. But her newest patient Margot, a troubled up-and-coming actress, proves to be a source of inspiration that is far too tempting. Fascinated almost to the point of obsession, Sibyl becomes more and more involved in Margot’s tumultuous life, reviving volatile memories that bring her face to face with her past.

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Performers

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Production

ADR Supervisor:
Nathalie Delvoye

Additional Dialogue:
David H. Pickering

Additional Editorial Assistant:
Guillaume Guerry

Additional First Assistant Camera:
Charlotte Vitroly

Administration:
Isabel Da Mota

Assistant Accountant:
Marzia Giamberini
Baptiste Herment

Assistant Art Director:
Arnaud Lucas
Louise le Bouc Berger
Laura Bücher

Assistant Director:
Sacha Peluchon
David Maria Putorti

Assistant Director Trainee:
Madeleine Thiberville

Assistant Editor:
Ludovic Foucher

Assistant Production Manager:
Nadia Chaabani

Assistant Unit Manager:
Jérémy Gueudin

Casting:
Cynthia Arra
Laure Ballarin
Elsa Pharaon

Casting Assistant:
Thomas Weber
Minna Prader

Co-Producer:
Geneviève Lemal

Colorist:
Magalie Léonard

Construction Buyer:
Thomas Broyon

Costume Assistant:
Sophie-Charlotte Larget
Elsa Bourdin

Costume Design:
Virginie Montel

Costume Supervisor:
Floriane Gaudin

Digital Compositor:
Philippe Desfretier
Morgan Hardy
Julien Pierret

Director:
Justine Triet

Director of Photography:
Simon Beaufils

Draughtsman:
Bastien Vivès

Editor:
Laurent Sénéchal

Electrician:
Georges Harnack
Jérôme Di Cola
Augustin Bonnet
Manon Corone
Paolo Jacobucci

First Assistant Camera:
Nicolas Eveilleau

First Assistant Director:
Benjamin Papin

Foley Artist:
Xavier Drouault

Foley Editor:
Amaury Auguste

Foley Recording Engineer:
Philippe Charbonnel

Gaffer:
Sophie Lelou

Grip:
Fabrizio Diamanti
Eric Jalageas

Key Grip:
Léo Stritt

Line Producer:
Marcantonio Borghese

Location Manager:
Simona Prosperi

Location Scout:
Antoine Dubois

Makeup Artist:
Sandra Campisi

Makeup Department Head:
Odile Fourquin

Music Supervisor:
Thibault Deboaisne

Painter:
Sabine Barthélémy
Hélène Caperna

Post Production Coordinator:
Aurélien Klintzig

Post Production Supervisor:
Juliette Mallon

Producer:
Serge Hayat
Philippe Martin
David Thion

Production Accountant:
Laura Cimarelli

Production Assistant:
Sofia Lemos Marques

Production Consultant:
Anna-Katharina Guddat

Production Design:
Toma Baquéni

Production Manager:
Nicolas Leclère
Charlotte Duliere

Production Secretary:
Mahaut Vidal

Property Buyer:
Marion Pages Gonzalo

Property Master:
Cyril Péré

Publicist:
Tony Arnoux
Karine Durance
André-Paul Ricci

Screenplay:
Justine Triet
Arthur Harari

Script Supervisor:
Camille Ganivet

Second Assistant Camera:
Agathe Dercourt

Second Assistant Director:
Bénédicte Dujardin

Set Dresser:
Martin Viellerobe

Sound Editor:
Ingrid Simon

Sound Engineer:
Julien Sicart

Sound Mix Technician:
Sacha Imani

Sound Re-Recording Mixer:
Simon Apostolou

Special Effects:
Jonathan Zenenski
Thomas Demarez
Jean-Louis Bonnet

Special Effects Coordinator:
Olivier Zenenski

Special Effects Supervisor:
Guy Monbillard

Steadicam Operator:
John Morrison

Still Photographer:
Kris Dewitte

Swing:
Valerio Barbet

Thanks:
Jacques Audiard

Third Assistant Camera:
Julie Bureau

Third Assistant Director:
Elsa Truscello

Visual Effects Coordinator:
Mathilde Mondamert

Visual Effects Supervisor:
Hugues Namur

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.