A work in constant progress (and occasional regress).
Release Date:
June 12, 1997
Original Title:
Clockwatchers
Alternate Titles:
Clock Watchers
Esperando la hora
Quatro Garotas... Uma Grande Confusão
Genres:
Drama
Production Companies:
Goldcrest
John Flock Productions
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
CA: 14A US: PG-13
Runtime: 96
The relationship between four female temps all working for the same credit company is threatened with the arrival of a new hire, who lands a permanent position one of the women was vying for.
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ADR Supervisor:
Kris Campbell
Assistant Costume Designer:
Ángela Núñez
Assistant Editor:
Keith H. Sauter
Robert J. Grano
Assistant Location Manager:
Jun C. Lin
Chanel Salzer
Paul Schreiber
Matthew Cassel
Assistant Production Coordinator:
Jen Wall
Best Boy Electric:
Larry Sushinski
Best Boy Grip:
James A. Neal
Boom Operator:
Marydixie Kirkpatrick
Camera Loader:
Jennifer Koestler
Carpenter:
Todd Cherniawsky
Bryan Turk
Timothy Joseph Turk
Laura Von Bergman
Danny L. Turk
Casting:
Jeanne McCarthy
Casting Assistant:
Daysun Perkins
Co-Executive Producer:
Guy Collins
John Quested
Co-Producer:
Karen Sprecher
Construction Coordinator:
Daniel Turk
Construction Foreman:
Lawrence Chew
George Charles Kiapos
Costume Design:
Edi Giguere
Costume Supervisor:
Lovelynn Vanderhorst
Craft Service:
Andrea Pilat
Dialect Coach:
Francie Brown
Joy Ellison
Dialogue Editor:
Jed M. Dodge
Director:
Jill Sprecher
Director of Photography:
Jim Denault
Dolby Consultant:
Thom 'Coach' Ehle
Dolly Grip:
Steve Ruffing
Dennis K. Wilson
Editor:
Stephen Mirrione
Electrician:
James Coffin
Russ L. Conklin
Tana Dubbe
Derrick Hopkins
Mary Kasparian
Scott Norris
Paul Reyes
Joshua E. Smith
Laura Stewart
Justin Stroh
Executive Producer:
John Flock
First Assistant Camera:
Miranda Mar
First Assistant Director:
Eric Mofford
First Assistant Editor:
Douglas Crise
Foley:
Catherine Harper
Ossama Khuluki
Christopher Moriana
James Moriana
Foley Supervisor:
Kris Campbell
Gaffer:
Sean McKelvey
Grip:
Joe Clarke
Dean 'Gator' Dowling
Bertoldo Gomez
Eric Hall
Tahra Hanley
R. Dana Harlow
Mike Horan
Vito Mirabella
James J. Vacca
Hairstylist:
Sergio Lopez-Rivera
Julie L. Pearce
Jennifer Salvon
Key Grip:
Dennis 'Dink' Adams
Key Hair Stylist:
Jason Rail
Key Makeup Artist:
Jason Rail
Leadman:
Bryce Holtshousen
Line Producer:
W. Mark McNair
Location Manager:
Darrin Lipscomb
Makeup Artist:
Sergio Lopez-Rivera
Julie L. Pearce
Jennifer Salvon
Music Arranger:
Mark Kilian
Mader
Music Consultant:
Robin Urdang
Music Editor:
Paul Hepker
Mark Kilian
Music Supervisor:
Carol Sue Baker
Jonathan Hafter
Negative Cutter:
Paul Tanzillo Jr.
On Set Dresser:
Terrell L. Moore
Original Music Composer:
Mader
Painter:
Ayn Altman
Sergio Arevalos
Clementine petit dit Dariel
Linda Laufer
Terri Leidholdt
Lynne Pope
Sandra A. Turk
Post Production Assistant:
Robert J. Grano
Post Production Supervisor:
Kristi Lake
Producer:
Gina Resnick
Production Accountant:
Todd Grove
Production Coordinator:
Elizabeth Bauer
Production Design:
Pamela Marcotte
Production Manager:
Sue Jennings
Production Sound Mixer:
Christopher M. Taylor
Property Master:
Mark Anderson
Adam Silverman
Score Engineer:
Christine Sirois
Script Supervisor:
Wendy Dallas
Second Assistant Camera:
Robert Schierer
Second Assistant Director:
Lauren Cloud
Keith Shaw
Second Second Assistant Director:
Joe Coleman
Heather Weinstock
Set Decoration:
Greta Grigorian
Set Dresser:
JoAnne M. Ando
Set Production Assistant:
Peter Atherton
Robert J. Grano
Sound Editor:
Robert W. Vandling
Donald Murray
Sound Engineer:
Eric Neufeld
Sound Re-Recording Mixer:
Phillip Seretti
Sound Supervisor:
Phillip Seretti
Stand In:
Ellie Olstad
Still Photographer:
John Johnson
Stunt Coordinator:
Chuck Borden
Swing:
Ira Proctor
Brian Walsh
Third Assistant Camera:
Hiro Kakuhari
Transportation Captain:
Paul Bortoli
David Oppenheim
Transportation Coordinator:
Antonio Molina
Visual Effects:
Ozzie Zornizer
Visual Effects Camera:
Mindy Minkow
Wardrobe Assistant:
Nomi Shichor
Brooke C. Thatawat
Writer:
Jill Sprecher
Karen Sprecher
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.