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Space Cowboys (2000) [PG-13]

Release Date:
August 4, 2000

Original Title:
Space Cowboys

Alternate Titles:
Cowboys do Espaço
Space Cowboys
สเปซ คาวบอยส์ ผนึกพลังระห่ำกู้โลก
スペースカウボーイ

Genres:
Action | Adventure | Thriller

Production Companies:
Clipsal Films
Mad Chance
Malpaso Productions
Village Roadshow Pictures
Warner Bros. Pictures

Production Countries:
United States of America

Ratings / Certifications:
AU: PG  BR: 12  CH: 12  CZ: 12+  DE: 12  FR: U  GB: PG  GR: PG  HU: 12  IE: 12  JP: R15+  KR: 12  PL: 12  US: PG-13 

Runtime: 130

Space will never be the same.

Overview from TheMovieDB

Frank Corvin, ‘Hawk’ Hawkins, Jerry O'Neill and ‘Tank’ Sullivan were hotdog members of Project Daedalus, the Air Force's test program for space travel, but their hopes were dashed in 1958 with the formation of NASA and the use of trained chimps. They blackmail their way into orbit when Russia's mysterious ‘Ikon’ communications satellite's orbit begins to degrade and threatens to crash to Earth.

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Performers

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Production

ADR Editor:
Denise Horta
Stephen Janisz

Art Direction:
Jack G. Taylor Jr.

Assistant Director:
Tom Rooker

Assistant Editor:
Don Roth
Gary D. Roach

Boom Operator:
Flash Deros

Camera Operator:
Stephen S. Campanelli

Casting:
Phyllis Huffman
Liz Keigley
Sari E. Keigley

Casting Assistant:
Janet Farris

Casting Associate:
Olivia Harris

Chief Lighting Technician:
Tom Stern

Color Timer:
Bob Kaiser

Colorist:
Tim Safarik

Construction Coordinator:
Clarence Lynn Price

Costume Design:
Deborah Hopper

Dialogue Editor:
Gloria D'Alessandro
Kimberly Lowe Voigt
Mildred Iatrou

Director:
Clint Eastwood

Director of Photography:
Jack N. Green

Dolly Grip:
Charles W. Wayt

Editor:
Joel Cox

Executive In Charge Of Production:
Daniel R. Chavez

First Assistant Director:
Robert Lorenz

Foley Editor:
Bob Beher
Michael Dressel

Greensman:
Bobby Joe Garren

Hair Department Head:
Carol A. O'Connell

Key Costumer:
Lynda Foote

Key Grip:
Charles Saldaña

Key Hair Stylist:
Janice Alexander

Key Makeup Artist:
Tania McComas
Francisco X. Pérez

Location Manager:
Kokayi Ampah

Makeup Artist:
Allan A. Apone
Charlene Roberson

Music Editor:
Donald Harris

Negative Cutter:
Mo Henry
Doug Jones

Original Music Composer:
Lennie Niehaus

Painter:
Gary Metzen

Producer:
Clint Eastwood
Andrew Lazar

Production Coordinator:
Carla Aucoin

Production Design:
Henry Bumstead

Production Sound Mixer:
Walt Martin

Property Master:
Michael Sexton

Propmaker:
Tony Chavez

Rigging Gaffer:
John Lacy

Rigging Grip:
Bud Heller

Screenplay:
Howard Klausner
Ken Kaufman

Script Supervisor:
Mable Lawson-McCrary

Set Costumer:
Darryl M. Athons
Ann Culotta
Steve Ellsworth

Set Decoration:
Richard C. Goddard

Set Designer:
Joseph G. Pacelli Jr.
Steven M. Saylor
Bruce West

Sound Designer:
Christopher Boyes
David Farmer

Sound Editor:
Ken Fischer
Jason King

Sound Effects Editor:
Phil Benson
Teresa Eckton
Ken Fischer
Scott Guitteau
Glenn Hoskinson
Gary Krivacek
Anthony Milch
Howard Neiman

Sound Re-Recording Mixer:
Christopher Boyes
Michael Semanick

Special Effects Supervisor:
John Frazier

Steadicam Operator:
Stephen S. Campanelli

Still Photographer:
Ken Regan

Stunt Coordinator:
Buddy Van Horn

Supervising ADR Editor:
Juno J. Ellis
Gloria D'Alessandro

Supervising Dialogue Editor:
Lucy Coldsnow-Smith

Supervising Sound Editor:
Alan Robert Murray
Bub Asman

Underwater Director of Photography:
Pete Romano

Unit Production Manager:
Patricia Churchill

Visual Effects Coordinator:
Nelson Cabrera
Susan Greenhow
Lisa Todd

Visual Effects Editor:
Nicolas Anastassiou
John Bartle
Lars Jensvold

Visual Effects Producer:
Dana Friedman
Judith Weaver

Visual Effects Supervisor:
Michael Owens

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.