A work in constant progress (and occasional regress).
Release Date:
September 10, 1993
Original Title:
Money for Nothing
Alternate Titles:
Dinheiro, Pra Que Dinheiro?
Λεφτά για Πέταμα
Πάρε τα Λεφτά και Τρέχα
Безкоштовні гроші
Genres:
Comedy | Crime | Drama
Production Companies:
Hollywood Pictures
Permut Presentations
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 100
When unemployed dockworker Joey Coyle finds $1.2 million that fell off of an armored car, he decides to do the logical thing: take the money and run. After all, he says, finders keepers. He turns to his ex-girlfriend Monica, who works in an investment firm, for advice, before turning to the mob for help laundering the money. While Joey makes plans to leave the country, however, a detective is following his ever-warmer trail in order to recover the cash.
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ADR Editor:
Mark Levinson
Art Direction:
Beth Kuhn
Assistant Art Director:
Mark Worthington
Assistant Location Manager:
Lys Hopper
Assistant Production Coordinator:
Lorene M. Duran
Assistant Property Master:
Doug DuRose
Author:
Mark Bowden
Best Boy Electric:
Frank McGough
Best Boy Grip:
John Janusek
Boom Operator:
John Fundus
Casting:
Victoria Thomas
Casting Assistant:
Matthew Barry
Casting Associate:
Jeanne McCarthy
Chief Lighting Technician:
Gene Engels
Co-Producer:
Cyrus Yavneh
Color Timer:
Dale E. Grahn
Construction Coordinator:
Louis P. Taylor
Costume Design:
Zeca Seabra
Costume Supervisor:
Diane Collins
Director:
Ramón Menéndez
Director of Photography:
Newton Thomas Sigel
Dolly Grip:
Billy Patsos
Editor:
Nancy Richardson
Executive Producer:
Gordon Freedman
David Permut
Matt Tolmach
Extras Casting:
Nancy Mosser
First Assistant "B" Camera:
David Richert
First Assistant Camera:
Robert C. Carlson
First Assistant Director:
Babu Subramaniam
Foley Editor:
Malcolm Fife
Hairstylist:
Sean Roger Miguez
Key Grip:
George Patsos
Key Hair Stylist:
Bonnie Clevering
Leadman:
Jeffrey Paul Johnson
Location Manager:
Bob Johnston
Makeup Artist:
Greg T. Moon
Makeup Department Head:
Felicity Bowring
Music Editor:
Ellen Segal
Negative Cutter:
Theresa Repola Mohammed
Original Music Composer:
Craig Safan
Producer:
Tom Musca
Production Coordinator:
Nancy Mosher Hall
Production Design:
Michelle Minch
Production Supervisor:
Erik Holmberg
Property Master:
Eugene McCarthy
Rigging Gaffer:
Ed Letteri
Rigging Grip:
Bart Flaherty
Screenplay:
Ramón Menéndez
Tom Musca
Carol Sobieski
Script Supervisor:
Sydney Gilner
Second Assistant Camera:
Brian S. Osmond
Second Assistant Director:
Cynthia A. Potthast
Second Second Assistant Director:
Jeff Kay
Second Unit Director of Photography:
Jim McConkey
Set Decoration:
Susan Raney
Sound Effects Editor:
Kim B. Christensen
Samuel H. Hinckley
Sound Mixer:
Dennis Maitland
Sound Re-Recording Mixer:
Michael Semanick
Special Effects Coordinator:
Joe Digaetano
Mike Menzel
Steadicam Operator:
Jim McConkey
Still Photographer:
Adger W. Cowans
Stunt Coordinator:
Eddy Donno
Stunts:
Shane Dixon
Steve Santosusso
Supervising Sound Editor:
Patrick Dodd
Transportation Captain:
Russell Davis
Donald A. Kraus
Transportation Coordinator:
A. Welch Lambeth
Unit Production Manager:
Cyrus Yavneh
Unit Publicist:
Julie Kuehndorf
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.