A work in constant progress (and occasional regress).
Release Date:
October 11, 2018
Original Title:
Tudo por um Pop Star
Alternate Titles:
Tudo por um popstar
Genres:
Comedy | Romance
Production Companies:
20th Century Fox Brazil
Agência Nacional do Cinema - ANCINE
Banco Regional de Desenvolvimento do Extremo Sul
Downtown Filmes
Fundo Setorial do Audiovisual
Globo Filmes
Panorâmica
Telecine
Production Countries:
Brazil
Ratings / Certifications:
BR: L
Runtime: 105
The pop band Slavabody Disco Disco Boys, a fever among girls from all over Brazil, announces that it will play in Rio de Janeiro. Gabi, Manu and Ritinha will do everything they can to watch the show far from the city where they live.
ADR Editor:
Victor Portes
ADR Recordist:
Victor Portes
Art Direction:
Marcus Figueiroa
Assistant Camera:
Pedro Monteiro
Assistant Director:
Paula Horta
Boom Operator:
Victor Portes
Casting:
Cibele Santa Cruz
Cinematography:
Dante Belluti
Costume Design:
Fabíola Trinca
Dialogue Editor:
Victor Portes
Director:
Bruno Garotti
Editor:
Diana Vasconcellos
Executive Producer:
Rodrigo Guimarães
Rodrigo Montenegro
Mara Lobão
Focus Puller:
Jeff Caveagna
Foley Artist:
Guido Pera
Music:
Daniel Lopes
Novel:
Thalita Rebouças
Original Film Writer:
Thalita Rebouças
Screenplay:
Bruno Garotti
Script Supervisor:
Paulo Cursino
Second Assistant Camera:
Lucas de Albuquerque Lourenço
Second Assistant Director:
Marco Antonio de Carvalho
Set Designer:
Emilia Merhy
Set Dresser:
Carlos Eduardo Mallet
Sound Designer:
Guido Pera
Sound Director:
Guido Pera
Sound Editor:
Victor Portes
Sound Mixer:
Guido Pera
Steadicam Operator:
Gabriel Cherene
Third Assistant Director:
Daniela Pedrosa
Writer:
Thalita Rebouças
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.