A work in constant progress (and occasional regress).
Release Date:
September 13, 2009
Original Title:
Kings Ransom
Alternate Titles:
30 for 30: King's Ransom
Genres:
Documentary
Production Companies:
Asylum Entertainment
ESPN Films
Production Countries:
United States of America
Ratings / Certifications:
FR: 10
Runtime: 53
On August 9, 1988, the NHL was forever changed with the single stroke of a pen. The Edmonton Oilers, fresh off their fourth Stanley Cup victory in five years, signed a deal that sent Wayne Gretzky, a Canadian national treasure and the greatest hockey player ever to play the game, to the Los Angeles Kings in a multi-player, multi-million dollar deal. As bewildered Oiler fans struggled to make sense of the unthinkable, fans in Los Angeles were rushing to purchase season tickets at a rate so fast it overwhelmed the Kings box office. Overnight, a franchise largely overlooked in its 21-year existence was suddenly playing to sellout crowds and standing ovations, and a league often relegated to “little brother” status exploded from 21 teams to 30 in less than a decade.
Associate Producer:
Deirdre Fenton
Cinematography:
Scott Duncan
Consulting Producer:
Michael Tollin
Chris Connelly
Coordinating Producer:
Eric M. Johnson
Shelley Storm
Tiffany Reis
Director:
Peter Berg
Editor:
Todd Crites
Executive Producer:
Keith Clinkscales
John Dahl
Jonathan Koch
John Skipper
Peter Berg
Bill Simmons
Steve Michaels
Joan Lynch
Connor Schell
Original Music Composer:
David Arkenstone
Producer:
Mitch Wright
Alex Piper
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.