Home

There's Something About Mary (1998) [R]

Release Date:
July 15, 1998

Original Title:
There's Something About Mary

Alternate Titles:
Den där Mary
Doidos por Mary
Ima nešto u vezi Meri
Loco por Mary
Loco por mary
Mary ni kubitakke
Nieco na tej Mary je
Nori na Mary
Sekaisin Marista
Svi su ludi za Meri
There Is Something About Mary
There's Something About Mary
There's Something More About Mary
Tutti pazzi per Mary
Verrueckt nach Mary
Κάτι Τρέχει με τη Μαίρη
Всі в захваті від Мері
情迷索玛莉
메리에겐 뭔가 특별한 것이 있다

Genres:
Comedy | Romance

Production Companies:
20th Century Fox

Production Countries:
United States of America

Ratings / Certifications:
AU: MA15+  BR: 14  CH: 12  CZ: 15+  DE: 12  DK: 11  ES: 12  FR: U  GB: 15  GR: 15  HU: 18  IE: 15  KR: 18  NL: 6  NO: 11  PL: 16  PT: M/12  RU: 18+  SE: 7  US: R 

Runtime: 119

Love is in the hair.

Overview from TheMovieDB

For Ted, prom night went about as bad as it’s possible for any night to go. Thirteen years later, he finally gets another chance with his old prom date, only to run up against other suitors including the sleazy detective he hired to find her.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

American Film Institute (AFI)
2000
#27 		100 Years: 100 LAUGHS
100 Funniest American Movies Of All Time

Performers

Click the heading above to show or hide the list.

Production

ADR Editor:
Scott G.G. Haller
Lukas Bower

ADR Voice Casting:
Terri Douglas

Animatronics Designer:
Tony Gardner

Art Department Coordinator:
Rosa Palomo

Art Department Production Assistant:
Liza-Anne Cabral

Art Direction:
Arlan Jay Vetter

Assistant Camera:
Benjamin Centoducati

Assistant Craft Service:
Kurt Beckler

Assistant Location Manager:
R. Colette Hailey

Assistant Makeup Artist:
Erin Koplow

Assistant Production Coordinator:
Mark Lafata

Assistant Property Master:
Nicholas J. Romanac

Assistant Sound Editor:
Catherine Calleson

Associate Producer:
Mark Charpentier
Patrick Healy

Best Boy Electric:
Jason Barfield

Best Boy Grip:
Eugene Rivera

Boom Operator:
Jon Udell

Carpenter:
David Alban

Casting:
Rick Montgomery

Casting Assistant:
Ed Arenas

Casting Associate:
Joe Garcia

Co-Producer:
Marc S. Fischer
J.B. Rogers

Color Timer:
Dennis McNeill

Construction Coordinator:
Michael Metzel

Construction Foreman:
James Harris

Costume Design:
Mary Zophres

Costume Supervisor:
Leslie Herman

Costumer:
Denverly Grant

Craft Service:
Marc H. Katz

Dialect Coach:
Norene Bini

Dialogue Editor:
Ulrika Akander
Allen Hartz
Bob Newlan

Digital Compositors:
Jerry Hall

Director:
Bobby Farrelly
Peter Farrelly

Director of Photography:
Mark Irwin

Dolby Consultant:
James Wright

Dolly Grip:
Jerry Bertolami

Driver:
Scott Mundy

Editor:
Christopher Greenbury

Electrician:
Larry Bradshaw

Executive In Charge Of Production:
Thomas A. Imperato

Executive Producer:
Bobby Farrelly
Peter Farrelly

Extras Casting:
Ellen Jacoby

Extras Casting Assistant:
Dana McFadden

First Assistant Accountant:
Deborah Evans

First Assistant Camera:
Gary Katsuya Ushino

First Assistant Director:
J.B. Rogers

First Assistant Editor:
Larry Madaras

Foley Mixer:
David Betancourt

Foley Recordist:
Carrie Cashman

Gaffer:
Jay W. Yowler

Greensman:
Terry Butler

Grip:
Mike Clayton

Hairstylist:
Steve Battaglia

Head Greensman:
Robert Kopp

Key Grip:
Jim Campbell

Key Hair Stylist:
Voni Hinkle

Key Rigging Grip:
Christian E. Dirkes

Leadman:
Mark Dane

Location Assistant:
Josh Gutterman

Location Casting:
Ellen Jacoby

Location Manager:
Sam Tedesco

Location Scout:
Leah Sokolowsky

Makeup Artist:
Bernadette Mazur

Makeup Effects:
Scott Malchus

Music Coordinator:
Manish Raval

Music Supervisor:
Happy Walters

Negative Cutter:
Gary Burritt

Original Music Composer:
Jonathan Richman

Post Production Assistant:
Robert Pawloski

Post Production Supervisor:
P. Todd Coe

Producer:
Frank Beddor
Michael Steinberg
Bradley Thomas
Charles B. Wessler

Production Accountant:
Andrea Isaacs

Production Assistant:
Josué D. Aguilar

Production Coordinator:
Sondra Dee Boyachek

Production Secretary:
Jason Dudek

Production Supervisor:
Garrett Grant

Projection:
Jon Glafcke

Property Master:
Richard K. Wright

Propmaker:
Martin W. Bell

Rigging Gaffer:
Troy White

Rigging Grip:
James Bright

Scenic Artist:
Jose Duarte

Score Engineer:
Mike Ross-Trevor

Screenplay:
Ed Decter
John J. Strauss
Peter Farrelly
Bobby Farrelly

Script Supervisor:
Steve Gehrke

Seamstress:
Susan Rhoden

Second Assistant Accountant:
Laura H. Kreft

Second Assistant Camera:
Egor Davidoff

Second Second Assistant Director:
Ingrid K. Behrens

Second Unit Director:
Josh Klausner

Set Costumer:
Linda S. Cormany

Set Decoration:
Scott Jacobson

Set Designer:
Nicklas Farrantello

Set Dressing Artist:
Bobby Amor

Set Production Assistant:
Michael Hopkins

Sound Editor:
Jay Wilkinson

Sound Effects Editor:
Sean Garnhart

Sound Engineer:
Gary L.G. Simpson

Sound Mixer:
Jonathon 'Earl' Stein

Sound Recordist:
Andrea Lakin
Brian D. Lucas

Special Effects Coordinator:
Kevin Harris

Still Photographer:
Glenn Watson

Story:
Ed Decter
John J. Strauss

Stunt Coordinator:
Rick Barker

Supervising ADR Editor:
Vanessa Lapato

Supervising Music Editor:
Lee Scott

Supervising Sound Editor:
Michael J. Benavente

Transportation Co-Captain:
Anthony Chiofalo

Transportation Coordinator:
Gordie Merrick

Unit Production Manager:
Marc S. Fischer

Unit Publicist:
Ernie Malik

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.