A work in constant progress (and occasional regress).
Release Date:
October 20, 2015
Original Title:
Lila Downs - Balas y Chocolate
Genres:
Documentary | Music
Production Companies:
Sony Music Entertainment México, S. A. de C. V.
Ratings / Certifications:
N/A
Accountant:
Rodrigo Hernández
Administration:
José Del Rivero
Camera Operator:
Vicente Algarra
Guinduri Arrollo
Yann Puerto
Sergio Pacheco
Diego Escalante
Mariano Diluch
Carlos García
Benjamín Ramauge
Camera Production Assistant:
Ángel Martínez
Chinto Barón
Cinematography:
Julián Fernández
Co-Director:
Gastón Etchechoury
Director:
Diego Álvarez
Editor:
Jesús Ornelas
Executive in Charge of Finance:
Eduardo Martinez Vertíz
Lighting Director:
Max González
Makeup Artist:
Giovanna Salmón
Stephanie Rocha
Music:
Lila Downs
Luis Mendez Almengor
Asención Aguilar
Marco Antonio Solís
Paul Cohen
David Méndez Rojas
Ángel Agustín Pimentel Díaz
Jesús Rosas Marcano
Juan Gabriel
Alejandro Néstor Méndez
Cuco Sánchez
Other:
Verenice Xochipa
Antonio Días Olguín
Gerardo Garnica
Yuriko Lisjuan
Andrés Valadez
José Antonio M. Chapa
Eduardo España
Paul Cohen
Rodrigo Mora
Juan Pablo Cruz
Nazareno Brancatto
Isaí Santos
Adrián Castañeda
Eddaliz Vargas Cruz
Erick Gallegos
Mónica Meza
Alex Calles
Juan Carlos Olmedo
Jorge Soto De la Peña
Israel Ochoa
Marco Vera
Chock Fermoso
Post Producer:
Sebastián Bucarey
Producer:
Ivonne Cruz Orrico
Sabú Avilés
Production Assistant:
Carolina González
Production Coordinator:
Nestor Nuñez
Runner Art Department:
Carlos Palomares
Set Decoration:
Gala Sánchez
Sound:
Cristian Ruiz
Sound Mix Technician:
Alfredo Correa
Sound Recordist:
Ignacio Osorio
Gerardo Inguanzo
Diego Osorio
Aneiro Taño
Steadicam Operator:
Juan Matías Ramos
Unit Manager:
Yair Martínez
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.