A work in constant progress (and occasional regress).
Featuring:
Kerby Belarbi, Daniel Bird, Mark Conway
Directed by:
Mike Nayna
Release Date:
December 21, 2016
Original Title:
Digilante
Genres:
Documentary
Production Companies:
Checkpoint Media
Mad Kids
Production Countries:
Australia
Ratings / Certifications:
N/A
Runtime: 30
Disillusioned by a revival of public shaming via social media, a young Australian filmmaker confronts the real-world damage caused by a vicious online monster he created.
In 2012, filmmaker Mike Nayna witnessed an infamous racial attack that took place on a city-bound bus between Mordialloc and Caulfield stations in Melbourne. As Mike recorded the incident on his iPhone, he had no idea he was about to spark an international media circus, two jail terms, a surprise spate of copycat incidents and destroy the lives of the people he tracked through his lens. While a simple narrative of good conquering prejudice played out on computer screens around the world, a far more complex and morally ambiguous story was taking place. Exposing his own motivations and manipulations with brutal honesty, Mike reveals an insider's perspective of the events. The documentary explores the initial incident, the media explosion and the ripple effect it had on the lives of the people involved. Digilante is a quintessential case study of the often-destructive relationship between social and traditional media.
Cinematography:
Charles Lowthian
Roderick Th'ng
Director:
Mike Nayna
Editor:
Mike Nayna
Executive Producer:
Susie Jones
Eddie Martin
Producer:
Mark Conway
Lauren Elliott
Sound Recordist:
Lloyd Pratt
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.